Thursday, 17 December 2015

GEORGE: “GIVE ME LOVE (GIVE ME PEACE ON EARTH)

“Give Me Love (Give Me Peace on Earth),” a track off George’s 1973 album Living in the Material World, represents the singer/songwriter at his best. Its memorable melody, excellent slide guitar work, and poignant lyrics deliver a message that resounds with all listeners — particularly during the turbulent world events of 2015.
Under pressure to follow up the massively successful All Things Must Pass, George recorded Living in the Material World with many of the same musicians along with new collaborators such as drummer Jim Keltner, who
had worked with him during the Concert for Bangladesh. The album would see Harrison delving fully into his spiritual interests; the LP artwork even incorporates an illustration from the Bhagavad-Gita.
Recording sessions took place from October-November 1972 and January-March 1973, with George assuming the producer role (with the exception of “Try Some, Buy Some,” which was co-produced with Phil Spector). Held at Apple Studios, the sessions featured an all-star supporting cast: Nicky Hopkins and Gary Wright on keyboards; Klaus Voormann on bass; and Keltner, Ringo and Jim Gordon on drums.
In his autobiography I, Me, Mine, George reflected on the composition of “Give Me Love”: “This song is a prayer and personal statement between me, the Lord, and whoever likes it,” he explained. According to Andrew Grant Jackson’s Still the Greatest: The Essential Songs of the Beatles’ Solo Careers, George wrote the hopeful track in the midst of an otherwise depressing period. Monetary issues resulting from the Concert for Bangladesh remained, with George battling the artists and record companies to donate all royalties to the country’s people.


When the U.S. and U.K. governments refused to waive their taxes,George was forced to personally pay over a million pounds to cover the costs. Making matters worse, Allen Klein (onetime Beatles manager and co-organizer of the Concert for Bangladesh) was accused of pocketing some of the revenue generated from the concert. Ultimately, the event raised 15 million pounds, but the money was tied up in courts for two years.
Despite these setbacks and the sometimes pessimistic tone of Living in the Material World,George composed the ultimately upbeat “Give Me Love.” Featuring stripped-down production, the song includes Hopkins on keyboards, Voormann on bass, and Wright on organ. The star, however, is George Harrison’s exquisite slide guitar, a constant presence throughout the track.
Beginning with acoustic guitar, slide guitar, and subtle percussion, “Give Me Love” immediately sets a gentle tone. Hopkins’ gospel-tinged piano and Wright’s organ underscore the song’s spiritual connotations, the track gradually increasing in volume and intensity until reaching a crescendo: the repetition of the chorus. At the song’s conclusion, the instruments gradually fade out until only the acoustic guitar can be heard, as if coming down from spiritual ecstasy. 

 
Lyrically, according to Jackson, “Give Me Love” represents the “purest expression of the Aquarian Age dream,” a plea to God for support and guidance. In a plaintive voice, Harrison calls upon the Lord to “help me cope with this heavy load” and help him in his quest for understanding. The narrator is “trying to touch and reach you with heart and soul,” wanting to clasp hands with God in order to gain knowledge and empathy. Love and peace on earth,George, will help humankind achieve wisdom (“give me light, give me life,” he cries) and serenity.
Clearly, audiences connected with the tune, as George performed it during the Dark Horse Tour as well as the 1991 concerts in Japan with Eric Clapton. In 2002, Jeff Lynne paid tribute to his friend and frequent collaborator by performing the track during the Concert for George.
“Give Me Love (Give Me Peace on Earth)” may have been a No. 1 hit for George, but it remains unappreciated as a song for the holiday season, as well as the rest of the year. Wishing for love and peace on earth is a common denominator of numerous carols, although George’s lyrics add another dimension of struggle toward understanding. These are messages that are welcome as we enter 2016 with hope for a better world.

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