PAUL MCARTNEY AT BEYONCE’s RENAISSANCE WORLD TOUR CONCERT

Paul McCartney at Beyonce’s Renaissance World Tour Concert 

Other celebrities like Priyanka Chopra, Selena Gomez, Nysa Devgan and more also attended Beyonce's concerts from her Renaissance World Tour.

Paul McCartney struck a pose for fans when they spotted him at a show for Beyonce's Renaissance World Tour. 

Dressed in black pants, sky blue t-shirt and navy blue sweater, Paul stood with one hand on his hips and the other hand near his eyes and posed for fans as they cheered him on. 

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MARY MCCARTNEY ON HOW "IF THESE WALLS COULD SING’ BRINGS THE STORIED HISTORY OF ABBEY ROAD VIVIDLY TO LIFE

For Mary McCartney, directing the enthralling documentary If These Walls Could Sing on the history of London’s Abbey Road studio wasn’t just as a tip of the hat to her father Paul McCartney’s celebrated career, but also to her own life virturally growing up there, watching musical history being made.

And although Dad participates as one of the interviewees, this is not just a story of The Beatles, but rather an eye- and ear-popping tale of a place where musical magic, on just about every level, was made, and continues to be made. 

The title tells it all as Mary McCartney’s splendid documentary, which premiered at Telluride last September and is now available on Disney+, covers the waterfront of Abbey Road’s 90 years.

With subjects to help tell the tale like Elton John, Jimmy Page, Fela, Cilla Black, John Williams and many others (including of course Paul and Ringo), McCartney manages to make it all come alive again, remarkably because there wasn’t a whole lot of archival footage available to help tell the story. As she explains in our conversation for this episode of my Deadline video series Behind the Lens, the storied musicians who came to create at Abbey Road were more interested in making the music rather than documenting the making of it, so she had to get inventive. That becomes one of the many hallmarks of this wonderful film, a must for music fans, as is what she has to say about everything that went into its creation, right up to its closing with Celeste singing the perfectly chosen “Hear My Voice.”

McCartney has had a sterling career of her own as a photographer, and her portraiture really shows the influence of her mother, the late Linda McCartney, as much as anyone in her life. The visuals now taken to the film medium come vividly alive.

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PAUL MCCARTNEY CELEBRATES 50 YEARS OF HIS JAMES BOND THEME SONG "LIVE AND LET DIE"

Live and Let Die received rave reviews from critics and became the most successful Bond theme upon its release.

Paul McCartney has celebrated the 50th anniversary of his 1973 song Live and Let Die. The legendary Beatles musician sat down for an interview with his official site to discuss his James Bond tune.

Live and Let Die was written by Paul and his late wife, Linda, for the 1973 James Bond film of the same name, featuring Rodger Moore, after the film’s producers approached Paul to create a track. It saw Paul reunited with former Beatles producer George Martin, who produced the song and arranged the orchestra.

Upon its release, the song received rave reviews from critics and fans alike and became the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts and No. 9 on the UK Singles Chart. The song is still a popular hit and continues to be loved. Paul revealed in his 50th-anniversary interview that he had no idea the song was coming up to its anniversary but admitted it’s nice that the song has stood the test of time.

Speaking about how the song came to fruition, Paul said: “It felt like an important historical thing, writing a Bond song. The idea was suggested to me by Ron Cass, who was the guy who ran Apple Records at the time. He spoke to the film’s producers, and then they came back and gave me the title Live and Let Die. I went away and started thinking about that phrase.

“To me, obviously what happens is you think of the usual saying, ‘Live and let live’ and then think about how you’re going to get to the opposite which is, ‘live and let die’. It was a little conundrum, but I enjoy those; it’s like putting together a short story or something.” Paul read a copy of Ian Fleming’s novel and started work on the song the following day.

Despite writing the song, the 80-year-old’s band Wings were not favoured to perform it. After hearing the demo tape, producer Harry Saltzman wanted Shirley Bassey or Thelma Houston to perform it instead of Wings. However, it was later agreed that Paul McCartney would permit the song to be used in the movie if Wings was able to perform the song.

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