Wednesday, 27 May 2026

UNCUT - ISSUE 353 JULY 2026

Issue 353 of UNCUT magazine, corresponding to July of this year, includes several articles related to The Beatles and Paul McCartney. In the 'A Quick One' section, a special edition dedicated to Paul McCartney is announced; additionally, the New Albums section includes a review of Paul McCartney's new production.

 





 

 

 

 

 

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Monday, 25 May 2026

CLASSIC ROCK - ISSUE JULY 2026

The July 2026 issue of Classic Rock magazine (Issue 354) features the rock band The Eagles on the cover. The issue officially hits newsstands and digital platforms starting May 27, 2026.

The July issue is packed with in-depth articles, exclusive interviews, and the largest rock reviews section. Also, Include reviews of the new albums by Paul McCartney, Ringo Starr, and the Lennon Claypool Delirium.


 















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Monday, 18 May 2026

HAPPY BIRTHDAY OLIVIA HARRISON

 

Today is Olivia Harrison's birthday, widow of George Harrison. Born Olivia Trinidad Arias on May 18, 1948, in Los Angeles, grandparents who had relocated to California after being raised in Guanajuato, Mexico. Her father, Zeke, earned a living as a dry cleaner while her mother, Mary Louise, was a seamstress; she grew up alongside her two siblings, Peter and Louise. 

During her formative years in Los Angeles, she was immersed in a Spanish-speaking Mexican social circle. Reflecting on her youth in a 2016 conversation, she noted that Mexican cinema and music were staples of her home life—influenced by her father’s talents as a vocalist and guitarist—and she grew up admiring acts like Jorge Negrete, Trío Calaveras, and Trío Los Panchos. Her family eventually moved to Hawthorne, where she completed her secondary education at Hawthorne High School during the sixties.

Her professional journey began in 1972 at A&M Records, located at the historic Charlie Chaplin Studios in Hollywood. By 1974, while working in marketing, she was frequently in contact via long-distance calls with George Harrison, as A&M handled the distribution for his startup label, Dark Horse. Harrison was so struck by her professionalism that he coordinated for her to join Dark Horse Records exclusively. 

The two finally met in person in October 1974 and quickly developed a romantic bond. Throughout the remainder of the decade, Arias managed a diverse group of musicians, including Ravi Shankar, Splinter, and Keni Burke. She was a highly skilled and composed manager who navigated the typical turbulence of launching a label and managing varied temperaments with ease.

Prior to her relationship with Harrison, Arias was already a student of meditation under the guidance of the Indian teacher Maharaj-ji. This mutual devotion to spiritual growth, combined with a vegetarian lifestyle, provided a grounding influence for Harrison and helped him reduce his dependency on alcohol and other substances. His 1976 release, Thirty Three & 1/3, showcased a brighter perspective, allowing him to share his beliefs without the harshness that reviewers felt had weighed down his earlier work. While touring to promote the album, Arias remarked that their connection was strengthened by their shared pursuit of higher spiritual goals, which made navigating daily life much simpler.

The couple welcomed their son, Dhani Harrison, on August 1, 1978, at the Princess Christian Nursing Home. They wed in a quiet ceremony at the Henley-on-Thames Register Office the following month. Their happiness during these years continued to influence George’s songwriting, much of which was composed at their retreat in Maui. 

His 1979 self-titled record featured the track "Dark Sweet Lady," a tribute to the sense of rebirth Arias brought to his world. She was also a constant fixture in the studio; producer Giles Martin recalled that she was frequently the one literally manning the recording controls during his sessions.

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Saturday, 16 May 2026

THE FAN WHO MET THE BEATLES BEFORE BEATLEMANIA

Rita Muir’s devotion to The Beatles took root during their early rise, specifically when "She Loves You" was dominating the charts just before the global phenomenon of Beatlemania fully erupted. 

 

At the time, she was a stylish 17-year-old captivated by the emerging pop scene and the distinctive Liverpool rhythm. Her enthusiasm led her to enter a national newspaper contest offering the chance to meet the band, and she emerged as one of the lucky victors.

Alongside five other winners, Rita was scheduled to watch the group perform at the Carlton Theatre in Kirkcaldy, with a planned meet-and-greet at the Station Hotel on Bennochy Road prior to the gig. While logistical hurdles and a tight itinerary prevented the band from reaching the hotel, the meeting was relocated backstage between sets at the Park Road theater.

To this day, Rita treasures a memento of that encounter: a photograph featuring herself, fellow winner Elizabeth McEwan, and the Fab Four, all squeezed into the manager’s cramped office. Reflecting on that moment from over six decades ago, Rita shared her memories with Kirkcaldy Galleries for a museum installation, where she contributed a framed print of the iconic photo and a replica of her ticket from that landmark evening.

 
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Tuesday, 12 May 2026

CAFE STORIES: THE ECHO OF A BEATLE MELODY

Café Stories: Stories Inspired by the Greatest Band of All Time — a collection of thirty short stories, each titled after a Beatles song.

“The Beatles didn’t just write songs — they wrote emotional shorthand for the whole of human experience. Every title in this collection was chosen because it rhymes with something true about the story it names. I hope British readers will hear the music in these pages, even when it isn’t playing.”

— Jerry Guarino, author

There are books that are read like someone listening to a familiar melody; others, like Jerry Guarino’s Café Stories: Stories Inspired by The Greatest Band of All Time, are experienced like an emotional jukebox where each story strikes a different key of memory. 

In this collection, Guarino uses the Beatles’ repertoire as a sentimental map to explore everyday life with depth. Throughout his book, we find various stories inspired by songs and short tales that contain small detonations of meaning within them. Guarino writes with clean prose, charged with intent. 

Each story seems to move forward with the innocence of a trivial anecdote until, at the last moment, it pivots slightly—a gesture, a revelation—leaving the reader in a state of silent recognition.

The recurring character of Tony, who appears in multiple stories, functions as a narrative axis: a witness to the passage of time. 

In stories like “We Can Work It Out,” Guarino introduces a plot relating artificial intelligence and surveillance, alongside an implicit reflection on privacy, power, and technological dependence. Tales like “I Saw Her Standing There” capture nostalgia with almost cinematic precision. Adolescence, first love, memory distorted by time: it is all presented there.

Guarino understands that the past is not a fixed place, but rather an emotional reconstruction, and he plays with that idea by confronting memories with a grayer, more stripped-down reality.

 

Humor—often underestimated in literary criticism—is another pillar of the book. 

In pieces like “A Day in the Life,” the seemingly trivial experience of ordering a pizza is transformed into an odyssey of digital bureaucracy, where the protagonist becomes trapped in a labyrinth of apps, passwords, and systems. Here, Guarino approaches a Kafkaesque tradition, but with a lighter, more critical tone.

In stories such as “When I’m Sixty-Four,” the author ventures into the territory of aging and dignity, using humor.

What distinguishes Guarino from many contemporary authors of flash fiction is his ability to find the extraordinary in the ordinary without resorting to excessive artifice. His stories do not seek to impress with spectacular twists, but with small truths. In the book, you find tales that reflect a different aspect of the human experience: love, desire, routine, loss, technology. 

The book is organized like a musical album; the stories resonate with lasting force and authenticity. Café Stories is a book about the passage of time and the small decisions that define a life. Guarino manages to capture those ephemeral moments in which the everyday becomes significant. Reading this book is like sitting in a café, listening to an old song, and suddenly remembering something you didn't know you had forgotten. And in that brief instant lies all its strength.

Jerry Guarino, an American author with a lifelong devotion to the music of the Beatles, has published Café Stories: Stories Inspired by the Greatest Band of All Time, a collection of thirty original short stories, each titled after a beloved Beatles song.

The collection arrives at a moment of renewed global fascination with the Fab Four, following the 2023 release of “Now and Then” and the widespread success of Peter Jackson’s Get Back documentary. For British readers in particular, Café Stories offers something distinctive: an American writer’s transatlantic love letter to music that was made in Liverpool and heard around the world.

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