Sunday, 12 January 2025

VINTAGE ROCK / JOHN LENNON ROCK AND ROLL / ISSUE 2025

In the new issue of Vintage Rock: Gene Vincent, Carl Perkins and
Cavan Grogan, John Lennon and much more.

From loaded guns to a studio full of session stars, May Pang and Beatles biographer Ray Connolly sit down with Vintage Rock to remember John Lennon’s 1975 covers album, Rock ’n’ Roll.









 

 

 

 

 

 

 

 

 

 

 

 

 

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Saturday, 11 January 2025

RINGO STARR TALKS ABOUT HIS NEW ALBUM AND HOW IT CAME ABOUT BY CHANCE


 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ringo says he still gets up every day at 7.30am where he prays and meditates before going into his daily schedule. And one day in 2022 he received an email with a song attached from legendary country producer and songwriter T Bone Burnett which changed his life for the next few years.

The pair chatted at an event held by Olivia Harrison in Los Angeles in 2022 having previously hung out in the 70s and Ringo suggested he could send him a song if he wanted to. Ringo explains: "I used to say hey, T Bone, because I bumped into him many times, and we laugh now, but I used to have a lot of parties in LA and he was always there, and I never invited him! He would always come with someone.

"It just came out of the blue, the album wasn't planned. I love this life I'm leading. I'm open and things happen. I can take that turn. I like to say they're the right turns. I was doing all these EPs and he sent me this beautiful track, and it was country. It never entered my mind that Mr. Country himself was going to send me a country song. I thought he would send me a pop song. And thought, we can make a country EP now."

But that wasn't the end of it and an EP soon became a much bigger project.
"T Bone came into LA we hooked up," Ringo says.

"And I said, 'Well, how many songs have you got?' And he pulled out a thing from his top pocket and said nine. They were all on a stick. And so we put it up, we flipped it into the computer and the Hi Fi, and I loved them all. There's only one out of the nine I didn't do on this record."

The pair got to work, the recording process was kept very quick and simple.

"I thought, let me play with some of them. And what was it? In like 45 minutes, I finished drumming on four of them because I just wanted it to be rock, swing, countryish. You know, whatever I felt like doing.

"So I just love it, because there's more emotional drumming on this from me. I only do them twice now, use me or lose me!" He laughs.

Most tracks were done in just two takes with the drums being either mixed together or used from the preferred take before Ringo's vocals were added.

The finished album contains sleeve notes by famed musician Elvis Costello in the form of a letter to producer T Bone and Ringo and Elvis insists Ringo has "never sung better than this".

Elvis also writes: "At this exact moment, this feels like the greatest solo record of his career by some considerable way…

"There is a lightness to his voice and an ease and the sentiments of the songs - never sentimental - seem exactly where I would want to be, if I had the surprising good fortune to have lived his long and remarkable life and still be singing from the heart.

"You can’t set out with the vain ambition to make a classic record but you and the Starr attraction may have arrived there. I hope people embrace it as this record has its arms out; deep and wide and open And as Ringo said in the song that he wrote: 'Thankful'."

Despite some people's surprise at the genre, to Ringo it must feel like a long overdue Country album in some ways.

He has been a country fan since he was a teenager before he joined the Beatles. He says: "I was like 17 when I first heard it, and I loved country music.

"Me and Roy my friend, we worked in the factory together, but at four O'clock on Sunday we went and listened to the radio. I was around for Bill Haley, but he always felt like your dad. And then Elvis and Buddy Holly and all those guys came. And so that's when the music really changed."

This week, Ringo will play some of the new album live in Nashville, the home of country before he heads back out on the road later in the year. He explained:"I'm still touring. I've got two tours lined up already with the All Starrs, the rest of the band. 

"I'll do one(country song) there at the least. I might not go to two, because, you know, when you say, I've got this new CD out, and I'd like to play a track from it, the merchandise sales go roaring up. Half the audience doesn't want to hear anything new, so we just put one in. I think we're going to do things in reverse in Nashville, we're going to do three of the new songs and like five of the old songs by me and other people. So it'll be cool, but it'll all be in a country style there.

"So like A Little From My Friends, country style, that kind of thing. I'm looking forward to that."

TheMirror

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

* Ringo's new album Look Up is out now:

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Friday, 10 January 2025

"LOOK UP" OUT NOW

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RINGO STARR´S LOOK UP: First country album in more than 50 years

 

 

 

"LOOK UP" is an 11-track album featuring the talents of an array of relative newcomers and established writers and performers alike, many of whom live in or have direct connections to Nashville. There are tracks written or co-written by Ringo, Burnett and Sugar, as well as legendary singer-songwriters Billy Swan and Paul Kennerly. 

Nashvillian Daniel Tashian co-produced, performed on and co-wrote several songs, while breakout bluegrass stars Billy Strings and Molly Tuttle provided guitars and harmony vocals on several tracks each, and pop duos Lucius and Larkin Poe both appear on a track apiece. Regular Burnett collaborator Alison Krauss contributed harmony vocals on album closer “Thankful.”

It’s a vibrant, lush album of what Burnett refers to as “American music,” splitting the difference between classic country and a more contemporary pop-rock sound.

LOOK UP  It’s out NOW HERE: https://amzn.to/3NA0IlC

And next week, rINGOStarr and his band will appear at the Mother Church of Country Music in support of the record.

 

 

 

 

 

 

 

 

 

 

 

As Ringo tells it, in The Beatles’ earliest days, the band was being influenced by a swirl of American music, from Johnny Cash and Waylon Jennings to Buddy Holly, Gene Vincent and any Motown albums they could get their hands on.

“We did some country songs, The Beatles, and we did Motown songs,” says Ringo. “Because, in all honesty, at the beginning, we were like every band in Liverpool. We were a cover band. So one night, I went to a gig, and there were three bands on, and the other two drummers didn’t make it, and I just played with the three bands. The curtains closed, and there’s another band, and I’m still there, curtains close, I’m still there — because we were all playing, really, the same songs.” The first country-rock song of all was [The Beatles’] ‘I Don’t Want to Spoil the Party.’ 

Many of the 11 Beatles songs featuring Ringo on lead vocals are what you could call country music, or at least rockabilly — be they originals like “What Goes On” and “Don’t Pass Me By” or covers like Carl Perkins’ “Honey Don’t” and “Matchbox” and Buck Owens’ “Act Naturally.” But Ringo’s second solo album, Beaucoups of Blues — produced by legendary pedal-steel player Pete Drake over a whirlwind three days in Nashville just months after The Beatles’ dissolution — was the drummer’s last serious foray into making country music for many decades.

In the roughly 54 years since releasing Beaucoups of Blues, Starr has issued dozens of albums both as a solo artist and with his supergroup the All-Starr Band. Though Starr did team up with Owens in 1989 to revisit “Act Naturally” as a duet, the majority of his output since Beaucoups has been rock and pop music. But country music is in Starr’s musical DNA, and as an artist who’s always been willing to make an unexpected “right turn,” he followed his muse when the opportunity to make a country record presented itself.

And one Look Up song in particular speaks to Starr’s lifelong musical journey.
“I love the song ‘I Live for Your Love,’ and Ringo really loves that song,” says Burnett of the album’s fifth track, which features rich swaths of pedal steel performed by prolific sideman Paul Franklin. “Billy Swan wrote the verse — ‘I don’t live for the future, I don’t live for the past.’ … I think those two lines are really important to Ringo, because I think there’s this temptation when you have as profound a past as he does, there’s always some kind of pull back to it. I don’t think he resisted exactly, but I think he wants to live very much in the present. He’s got a full life. You know, The Beatles were maybe five years of his life when he was a kid, and it’s colored everything else he’s done. So that song’s really — I find it touching. I find his version of it very touching. I think Molly’s singing on it is beautiful. Her playing — she’s playing all that acoustic guitar stuff on it — I think her playing is really beautiful on it.”

Next week, Ringo Starr & Friends will play two nights at the Ryman in support of Look Up. Co-produced by Starr, Burnett and Van Toffler, the Jan. 14 and 15 shows will be filmed for a special and will feature performances of many Look Up songs and — according to Starr — “‘Octopus’s Garden’ in a country style.”

Starr has of course played the Ryman on a number of occasions, including as recently as September 2023, shortly after being inducted into Nashville’s Musicians Hall of Fame. But the sanctity of the venue is something he’s never taken for granted.

“To me, to be on that stage that was like the place all of the big shots of the ’50s and ’60s were playing — that was the country music I came in with,” says Ringo. “And so every time I’ve played there I had this moment: ‘Wow, I’m at the Ryman.’”     

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