Wednesday, 22 February 1967 | Sgt. Pepper Sessions
Studio Two, EMI Studios, Abbey Road
Producer: George Martin
Engineer: Jeff Emerick
Following the February 10th session—where the massive orchestral swells were layered onto "A Day In The Life"—the masterpiece was finally completed on this day with the recording of its iconic final piano chord.
Originally, at the close of the February 10th session, a choir had been gathered to record a hummed final note. However, the result lacked the necessary dramatic weight, leading the group to seek a more powerful alternative.
The solution was a thunderous, multi-piano chord. Utilizing three different pianos, John Lennon, Paul McCartney, Ringo Starr, and Mal Evans all struck a simultaneous E-major chord. McCartney directed the performance from the studio floor, while Jeff Emerick captured the sound from the Studio Two control room.
It took nine attempts to achieve a perfect take, as it proved difficult for all five performers to hit the keys at the exact same millisecond. While the seventh take lasted the longest (59 seconds), the ninth take was ultimately deemed the best.
To create an even denser "wall of sound," three additional overdubs were layered onto the track. Two of these consisted of further piano chords, while the third featured George Martin playing the same chord on a harmonium.
The mono and stereo mixes for the track were finalized toward the end of the session. This process required the use of two four-track tape machines running in sync—a technical milestone for EMI at the time. The body of the song was condensed across four separate mono mixes (numbered 6–9), which were then edited together with the final chord to create the mono master.
Nine stereo mixes were also attempted. However, due to persistent synchronization issues between the two tape machines, the stereo mastering was postponed until the following day.
To wrap up the session, The Beatles recorded an experimental, avant-garde piece of unknown purpose. Lasting 22 minutes and 10 seconds, the track consisted primarily of Ringo Starr on drums, accompanied by tambourine and congas. This single take was logged in the studio archives as "Anything" or "Drum Track
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