PAUL McCARTNEY AT ALLIANZ PARQUE , SAO PAULO - 2nd Night

Paul McCartney concluded his second and final show at Allianz Parque, São Paulo. There were two notable setlist variations: after a five-year absence, he included 'All My Loving', last performed during his 2019 'Freshen Up' tour. Additionally, 'Day Tripper' was added to the latter part of the show.

 

 

 

 

 

 

 

 

 

 

 

 

SETLIST

1. Can't Buy Me Love
2. Junior's Farm
3. Letting Go
4. All My Loving
5. Got To Get You Into My Life
6. Come On To Me
7. Let Me Roll It / Foxy Lady
8. Getting Better
9. Let Em In
10. My Valentine

11. 1985
12. Maybe I'm Amazed
13. I've Just Seen A Face
14. In Spite Of All The Danger
15. Love Me Do
16. Dance Tonight
17. Blackbird
18. Here Today
19. Now And Then
20. New
21. Lady Madonna
22. Jet
23. Being For The Benefit Of Mr. Kite!
24. Something
25. Ob La Di - Ob La Da
26. Band On The Run
27. Get Back
28. Let It Be
29. Live And Let Die
30. Hey Jude

31. I've Got A Feeling
32. Day Tripper
33. Sgt. Pepper's (Reprise)
34. Helter Skelter
35. Golden Slumbers/Carry That Weight/The End

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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PAUL McCARTNEY AT ESTÁDIO ALLIANZ PARQUE São Paulo, Brazil -1st SHOW

 

The doors were scheduled to open at 4 p.m., but they opened around 5 p.m. At 6:55 p.m., show instructions were announced to the entire audience.
Thirty minutes later, at 7:30 p.m., Paul McCartney's DJ Chris Holmes opened the show with Milton Nascimento's classic "Para Lennon & McCartney,"  Nascimento himself arrived at the venue and received a huge cheer from the audience. The 30-minute DJ set ended with "Minha Vida," a cover of Rita Lee's "In My Life."

 

 

 

 

 

 

 

 

 

 

 

 

At 8 p.m., Paul's traditional "pre-show" footage was shown on the screen.
On the first night of the show, Paul McCartney opened the show with "A Hard Day's Night," and before "Letting Go," he told the audience, "E aí, São Paulo!!!" He also introduced us to a great brass band called the "Hot City Horns". The band was located between the premium seats. 

 

 

 

 

 

 

 

 

 

 

Tracklist

1. A Hard Day's Night
2. Junior's Farm
3. Letting Go
4. Drive My Car
5. Got To Get You Into My Life
6. Come On To Me
7. Let Me Roll It / Foxy Lady
8. Getting Better
9. Let Em In
10. My Valentine
11. 1985
12. Maybe I'm Amazed
13. I've Just Seen A Face
14. In Spite Of All The Danger
15. Love Me Do
16. Dance Tonight
17. Blackbird
18. Here Today
19. Now And Then
20. New
21. Lady Madonna
22. Jet
23. Being For The Benefit Of Mr. Kite!
24. Something
25. Ob La Di - Ob La Da
26. Band On The Run
27. Get Back
28. Let It Be
29. Live And Let Die
30. Hey Jude
31. I've Got A Feeling
32. Birthday
33. Sgt. Pepper's (Reprise)
34. Helter Skelter
35. Golden Slumbers/Carry That Weight/The End 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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ESTATE OF JOHN LENNON TAPS PPL TO MANAGE NEIGHBORING RIGHTS COLLECTIONS

John Lennon’s estate appoints PPL to manage neighboring rights collections for Lennon’s solo music and the estate’s interests in Yoko Ono and The Beatles.

UK-based collective management organization PPL has been appointed to collect neighboring rights for John Lennon, as well as his estate’s interest in Yoko Ono and The Beatles. The deal will see PPL collect broadcast and public performance royalties worldwide on sound recordings in which Lennon or Ono are listed as performers in markets where such rights exist.

John Lennon released 11 solo albums, including John Lennon/Plastic Ono Band with Yoko Ono. He achieved 25 #1 singles on the Billboard Hot 100 chart as a performer, songwriter, or co-writer, both as a member of The Beatles and as a solo artist. Three of his solo albums also landed at #1 on the Billboard 200 album chart. Yoko Ono has landed 13 #1 singles on Billboard’s Dance Club Songs chart, as well as releasing 14 studio albums.

“PPL has shown they are the leaders in advocating for neighboring rights globally,” said the estate in a statement. “We have the utmost respect for the team and look forward to working with them.”

“It is an honor to be appointed by the John Lennon Estate for neighboring rights collections,” said Peter Leathem, CEO of PPL. “Our team works hard to ensure no stone is left unturned in the collection of neighboring rights royalties around the world. It is a privilege to advocate for and collect public performance and broadcast rights globally for such a revered catalog of recorded music.”

PPL is a global leader in royalty collections, with 111 agreements in place with other collective management organizations (CMOs) around the world. The organization is celebrating its 90th anniversary this year. 

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