Sunday, 30 August 2026

ON THIS DAY AUGUST 30 ...

August 30

1962
Performance at the Riverpark Ballroom, Chester. 
 
1963

UK single release: 'Hello Little Girl', with The Fourmost. 


It is announced that Gerry and the Pacemakers will star in a Christmas pantomime, 'Babes In The Wood'. It will be promoted by Brian  Epstein with Joe Collins.

1964
Concert at the Convention Hall, Atlantic City. 
 
 
 
1965
8.00pm. Live Concert at the Hollywood Bowl, 2301 North Highland Avenue, Los Angeles, California, USA (2nd performance). Recording: 'Twist And Shout'; 'She's A Woman'; 'I Feel Fine'; 'Dizzy Miss Lizzy'; 'Ticket To Ride'; 'Everybody's Trying To Be My Baby'; 'Can't Buy Me Love'; 'Baby's In Black'; 'I Wanna Be Your Man'; 'A Hard Day's Night'; 'Help!'; 'I'm Down'. Producer: Voyle Gilmore; Engineer: Pete Abbott; 2nd Engineer: not assigned.
Seven songs included in 'The Beatles At The Hollywood Bowl' LP. 
 
1968
UK single release: 'Hey Jude'/'Revolution'. First Apple product. 
 
 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
UK single release: 'Those Were The Days', with Mary Hopkin, first artist discovered by Apple.

Trident Studios. 5.00-11.00pm. Recording: 'Dear Prudence' (overdub onto take 1). Producer: George Martin; Engineer: Barry Sheffield; 2nd Engineer: unknown.

Chelsea Register Office, London. Neil Aspinall marries Suzy Ornstein. Paul, Ringo and Maureen attend. Alexis Mardas is best man.
Afternnon. Surprise party at a restaurant in King's Road, London, for the couple. Paul, Ringo and Maureen attend.

Screening, on the programme 'Experiment In Television', of a film of the Beatles recording 'Hey Jude' (filmed 29 July 1968).  

1969
'Give Peace A Chance', 8th week in the Top 28 (Billboard). 
 

1971
Great Hall, Alexandra Palace, London. Closing of 'Art Spectrum', modern art exhibition. 
 
5 films of John and Yoko are screened: 'Cold Turkey', 'The Ballad Of John And Yoko', 'Give Peace A Chance', 'Instant Karma!', 'Up Your Legs Forever'. 
 
1972
 
Madison Square Garden, New York. 'One To One Concert', to raise money for Willowbrook, institution for children with physical or mental defects. 2 shows (afternoon, 2.00pm; evening), featuring John Lennon, Stevie Wonder and others, organized by John and Yoko. Filmed by ABC-TV.   


1973: Mixing: Meat City by John Lennon

2001: Ringo Starr and his All-Starr Band live: Concord Pavilion, Concord

2003: Ringo Starr and his All-Starr Band live: Marymoor Amphitheatre, Redmond

2019: Ringo Starr and his All-Starr Band live: Vina Robles Amphitheatre, Paso Robles

1982
Santa Barbara Sound studio, Santa Barbara, USA. Mixing: 'I Keep Forgettin''; 'Be My Baby'. end of sessions for LP 'Old Wave'.
 
............................................................

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ZAK STARKEY REHEARSES WITH THE WHO

 

Zak Starkey has been running through rehearsals with The Who. 

Both Daltrey and Starkey have put out public statements confirming they will be taking the stage together in the near future. 

Representatives for both camps verified to Variety that these reports are accurate.

During a solo show at the Encore Theater in Las Vegas on Wednesday night, Daltrey mentioned to the crowd that he had recently jammed with Zak and noted it "sounded fantastic," per a recap published the following day by the Las Vegas Review-Journal. On social media, Starkey shared a screenshot of that specific section from the paper's review, adding his own caption:

“Nice one Rog x. Lookin forward to tearin it up with The Who again..The rehearsal was great.. I don’t think we’ve ever rehearsed as tough as that .. usually we drink tea and talk about what time we’re going home!”

Zak later provided a more formal comment to Variety: “We rehearsed for an afternoon and were absolutely on fire, I’m so happy to be back playing the music I love with people I love. It’s good to be home.”

Roger Daltrey explained that the band had organized the trial run to ensure they were fully dialed in for an upcoming farewell tour across Europe.

............................................................

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Saturday, 29 August 2026

ON THIS DAY AUGUST 29 ...

August 29

1959
Opening night of the Casbah Club. Show by the Quarrymen (John, Paul, George, Ken Browne).
1963
Concert at the Odeon Cinema, Southport, with Tommy Quickly and Gerry and the Pacemakers.
 
1964
'A Hard Day's Night' LP number 1, 6th week (UK Record Retailer chart). 
 

1965
 
Live Concert at the Hollywood Bowl, 2301 North Highland Avenue, Los Angeles, California, USA (1st performance). 
 
Recording: 'Introduction' (by KRLA disc-jockeys); 'Twist And Shout'; 'She's A Woman'; 'I Feel Fine'; 'Dizzy Miss Lizzy'; 'Ticket To Ride'; 'Everybody's Trying To Be My Baby'; 'Can't Buy Me Love'; 'Baby's In Black'; 'I Wanna Be Your Man'; 'A Hard Day's Night'; 'Help!'; 'I'm Down'. 
 
Producer: Engeman (Christian name unknown); Engineer: Hugh Davies; 2nd Engineer: not assigned. 

Due to technical defects, nothing of this was included in 'The Beatles At The Hollywood Bowl' LP. 

 

1966

Morning. Dizz Gillespie disappears with personal briefcases of Brian and Nat Weiss.

Concert at the Candlestick Park, San Francisco. Last Beatles concert. 


Tony Barrow films and records the concert. Support act: the Ronettes. 

 

 

 

 

 

1968
Trident Studios. 7.00pm-6.00am. Recording: 'Dear Prudence' (overdub onto take 1). Producer: George Martin; Engineer: Barry Sheffield; 2nd Engineer: unknown.
Visits at the studio: John (Paul's cousin), Jackie Lomax.
1971
Great Hall, Alexandra Palace, London. 'Art Spectrum', modern art exhibition. 5 films of John and Yoko are screened: 'Cold Turkey', 'The Ballad Of John And Yoko', 'Give Peace A Chance', 'Instant Karma!', 'Up Your Legs Forever'. 

       


 1973: Wings’ original drummer Denny Seiwell quit the band on 29 August 1973. 

Mixing: I Know (I Know), Intuition by John Lennon 

1974: Filming, recording: One Hand Clapping by Wings 

Mixing: Old Dirt Road by John Lennon 

1980: Recording: Every Man Has A Woman Who Loves Him, Woman, Dear Yoko by John Lennon and Yoko Ono 

1989: Ringo Starr and his All-Starr Band live: Cal Expo Amphitheatre, Sacramento 

1998: Ringo Starr and his All-Starr Band live: Salle Des Etoiles, Monte Carlo 

2003: Ringo Starr and his All-Starr Band live: Harrah’s Lake Tahoe, Stateline 

2008: Sam Taylor-Wood to direct Lennon biopic Nowhere Boy 

2013: Paul McCartney announces New song and album 

2019: Ringo Starr and his All-Starr Band live: Paramount Theatre, Oakland

 
............................................................

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Thursday, 27 August 2026

CYNDI LAUPER TO BE HONORED AND PERFORM AT THE 46th ANNUAL JOHN LENNON TRIBUTE

 


Theatre Within—the charitable organization that has hosted the Annual John Lennon Tribute since 1981—will present Rock & Roll Hall of Fame inductee Cyndi Lauper with the 2026 John Lennon Real Love Award. 

The accolade will be conferred during the 46th installment of the benefit event on Saturday, November 21, hosted at New York City’s historic Town Hall. Passports to the performance can be secured via LennonTribute.org, with the complete roster of performing artists scheduled for release in the near future.

A pioneering musician and dedicated humanitarian, Lauper is slated to deliver a customized performance showcasing her preferred selections from the Lennon and Beatles catalog. 

In accepting this honor, she joins an esteemed roster of past awardees, a distinguished group that features Graham Nash, Judy Collins, Patti Smith, Kenny Loggins, and Natalie Merchant.

“I’m honored to receive this year’s John Lennon Real Love Award,” said Cyndi Lauper. “John inspired and challenged us all to work towards making the world a better place for everyone. His message of love continues to ripple through time, and I am grateful to help celebrate his life, Theatre Within, and the John Lennon Real Love Project.”

In a public statement, Sean Ono Lennon conveyed his appreciation for the enduring tradition: 

“It’s beautiful that Theatre Within continues to celebrate my father in New York City and is honoring Cyndi Lauper with this year’s John Lennon Real Love Award. Through her art and activism, Cyndi has been a
positive force for a very long time. It’s also deeply meaningful to me and my mom that Tribute proceeds help bring the John Lennon Real Love Project to the cancer community and public schools."

Co-produced alongside Music Without Borders, this annual benefit presented by Theatre Within stands as the sole John Lennon memorial concert globally to hold the official endorsement of Yoko Ono and Sean Ono Lennon. 

Photo: Bob Gruen

............................................................

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THE BEATLES PRESS CONFERENCE 1965

Beatles Press Conference: California 1965
On August 28, 1965, The Beatles had a concert at Balboa Stadium in San Diego, and they gave a press conference just before their show. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
QUESTION: "What advice do you have for teenagers?"

JOHN: "Don't get pimples."

PAUL: "That's it."

RINGO: "Don't get them."

M.C: "Yes. Your question?"

Q: "What was your reaction to Jakarta's..."

M.C: "Can we have quiet please? We can't hear the questions."

Q: "What was your reaction to Jakarta's banning of anything about The Beatles?"

JOHN: "In Indonesia, you mean?"

RINGO: "Yeah, Jakarta."

M.C: "What about the banning of The Beatles in Indonesia?"

JOHN: "Well, I mean... it's just stupid, you know."

GEORGE: "We were bitterly disappointed."

PAUL: "He should have just sent them back to us instead of burning them, and we would have flogged
them half-price."

RINGO: "It's foolish, you know."

GEORGE: "The thing is, he must have bought them to have burned them, so we'll still get the royalties."

PAUL: "Yeah, that's right."

Q: "If one of The Beatles decided to retire, would you continue?"

BEATLES: "No."
 
Q: 
: "What do you think of the charge that all this Beatle-type music is a big communist plot to
downgrade and morally degrade American youth?"

PAUL: "Apparently that isn't the... that's got exaggerated, that. It started off with a pamphlet,
apparently, which was comparing communism and capitalism and... no, no... Communism,
hypnotism, and us. Everybody else thought it meant that we were communists.
But we're just filthy capitalists, you know, like anyone else."

Q: "You don't think that you're hurting the musical standards of American youth at all?"

PAUL: "I don't think so, you know."

RINGO: "No."

JOHN: "We're playing American music."

PAUL: "I mean, if they want Tchaikovsky they can have it, you know. It's there for them to get, isn't it?
Right?? Right!"

Q: "What do you think of other groups that imitate you?"

JOHN: "We don't mind being imitated. Not many of them really imitate us, anyway. No more than we
imitate other people."

RINGO: "It's good, you know."

Q: "What did you see of San Diego on the way in?"

GEORGE: "We saw the freeway."

PAUL: "That's all."

JOHN: "The curtains were open. We saw the sea."

PAUL: "Yeah."

GEORGE: "We saw lots of things."

PAUL: "Disneyland. Oh no, that was Los Angeles."

Q: "Have you enjoyed your US tour so far?"

JOHN: "Yeah, it's been good, 'cuz it's just long enough for us not to get too tired and fed up, you know.
It's just the right length."

Q: "What's the first thing you do when you get to each town?"

GEORGE: "We usually scrub our teeth, comb our hair, and have a cup of tea. Every day, each
place, you know, we always do it."

PAUL: "After every meal."
 
Q: "I see you smoke quite a bit. Does this affect your throat at all?"

PAUL: "Probably."

GEORGE: "Just your lungs."

RINGO: "No, I don't sing that much."

Q: "Are you saving the money?"

JOHN: "Well, we haven't had much chance to spend much of it, really."

GEORGE: "I've spent all my money on cigarettes."

Q: "John, is it too early to start planning for another trip back? Are you going to come back at all?"

M.C: "Talking about the next trip to America."

JOHN: "Well, we don't plan it. Brian will probably be, already, while he's over here. He starts
working on the next tour, anyway."

RINGO: "Ask our manager."

JOHN: "That's the manager, Brian Epstein."

Q: "What about your cold? They said on the radio... I heard that you had another cold like you
came down with last trip."

JOHN: "No, I didn't have a cold, I just lost me voice."

Q: "It's okay now?"

JOHN: "Yeah, it seems okay. I'll find out later."

Q: "Ringo, I'd like to know if your 'Act Naturally,' the country music sound that it has, is this
something new for the Beatles?"

RINGO: "No, it's not new for us. The last couple of tracks I've recorded have been sort-of country-type music, you know."

GEORGE: "We've done about six songs all together-- Country and Western."

Q: "John, are you planning to write another book?"

JOHN: "Yes... no I haven't even thought about it yet, but I'm planning to."

Q: "How about the American way of life for a change?"

JOHN: "For a change? From what?"

Q: "From the British way of life."

JOHN: "Well, our life's different from an average life anyway, so it doesn't make much difference
where we are."
 
Q: "What do The Beatles think of 'The Man From U.N.C.L.E.'?"

JOHN: "Good, yeah."

PAUL: "Yeah... love that program, you know."

Q: "What do you think of surfing, and would you like to try it?"

JOHN: "It looks a bit dangerous to me."

RINGO: "What?"

JOHN: "Surfing."

RINGO: "Oh, I don't want to try it. I can't swim."

JOHN: "It takes years to get good, you know, and we haven't got time, anyway."

PAUL: "We've all got our little skaterboards for the hotel rooms. It's great."

Q: "Any of you... Why is it only at your concerts that you have press conferences, do you have
press conferences other than just before your concert, and why don't you let the press have
more freedom?"

GEORGE: "We do a concert almost every day, so there's a press conference every day, you see."

JOHN: "It gives you something to write about it. I mean, if we're not doing anything, there's no
point in seeing the press, because there's nothing to..."

Q: "You're in the public eye."

PAUL: "I mean, unless we let the press in every morning..."

GEORGE: "Well, not if we don't let the press in. We get out of the public eye for two days."

PAUL: "The thing is, what are they gonna write about, you know... 'I had two lumps of sugar in me tea
this morning,' you know. That's all they're gonna have to write about."

JOHN: "We probably see more press than most people put together, anyway."

PAUL: "'I got up and read the paper.' Whoopee, you know. So what?"

JOHN: "It doesn't matter. We see them other times besides conferences. When something's
doing."

RINGO: "They don't even want to see us when we're not working, you know."

JOHN: "When I'm at home, nobody keeps ringing up, saying 'Can we come and see you?'"

GEORGE: "We'll give you our personal number, and you can contact us any time of the day. And then you'll
be... you'll be all right."

RINGO: "I won't give you mine."

Q: "Some of the fan magazines are claiming to have the story of your life."

JOHN: "Well, originally we wanted to sue."

PAUL: "The fan magazines write things."

JOHN: "...just lies and that.

M.C: "What do you think about the inaccurate reports in fan magazines in America? What
do you think about this?"

JOHN: "We used to be upset, but we were told there's nothing you can do about it over here. It takes
so long, or it does the magazine so much good."

Q: "Can you do something about it in other countries?"

JOHN: "In England, they wouldn't be allowed to write they stuff they write here. They'd be sued. It's libel."

PAUL: "The only thing we can do here is just tell anyone who reads 'em that they are trash."

RINGO: "It's a load of crap."

PAUL: "...and that what is written is mainly rubbish. But, read
'em and remember that they are rubbish. 'Cuz most people believe 'em,
you know."

Q: "Can you show the people on my television show that Ringo really does wear rings?"

PAUL: "Can ya show 'em that, Ringo? There ya go, look at that."

RINGO: (holding up his hands) "There you go, baby."

PAUL: (jokingly) "Look at those rings!"

RINGO: "How about that. I've only had them on four years, folks."

GEORGE: (jokingly) "Big hand for the rings."

M.C: "Coming to the last questions. Must be the last three questions."

PAUL: "Ok."

Q: "I have heard that you are simply agnostic and you have been accused of being
irreverent yourself."

PAUL: "Us?"

Q: "I'd like to ask, do you think you are irreverent, and what you do believe in?"

PAUL: "Well, we're not... We are agnostic, so there's no point in being irreverent, 'cuz we'd be
atheists if we were gonna be, you know."

JOHN: "I think, when the irreverent bit came in, it was just a description of us as a whole, not meaning
we were irreverent towards religion or anything particular."

PAUL: "I mean, you know... We'll make jokes."

JOHN: "Well, that's what they thought when they saw our hair at first. They thought it was
irreverent, you know. But it means only that."

Q: "Do you plan to go to any beaches?"

PAUL: "Not really."

RINGO: "No."

PAUL: "No, I don't think so."

Q: "Do you see anything but hotel rooms?"

JOHN: "When we're on tour we don't want to see anything but hotel rooms. We get a lot of time off, we
can see where we want then."

GEORGE: "We see stadiums and airports."

PAUL: "You should see our hotel rooms, though."

Q: "It has been stated that politically you have a certain apathy. Since you've been
now entitled 'Members of the British Empire,' has it changed your attitudes towards politics in
general?"

BEATLES: "No."

JOHN: "We're not disinterested in politics, it's just politicians are disinteresting."

M.C: "This will be the last question."

Q: "Would you consider that the hairstyle you have pioneered is a sort of a protest, a form of
rebellion against convention?"

JOHN: "No."

GEORGE: "We just like it long."

PAUL: "We just like long hair, that's all."

PAUL: "I mean, you know... You like short hair, we like long. Da da da din din din."

RINGO: (singing) "They like long hair, we like short. Out to get ya, go to port."

M.C: "That's where we must end the questioning."
 
............................................................

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