1964.
The year the British Invasion began.
The year Beatlemania exploded across America & around the world.
The year The Beatles smashed the U.S. Billboard charts.
The Beatles: 1964 U.S. Albums In Mono are out now.
Originally compiled for U.S. release between January 1964 and March 1965 by Capitol Records and United Artists, seven Beatles albums have been analog cut for 180-gram audiophile vinyl from their original mono master tapes by Apple Corps Ltd./Capitol/UMe. Out of print on vinyl since 1995, the seven mono albums are available now in a new eight-LP box set titled The Beatles: 1964 U.S. Albums In Mono, with six of the titles also available individually.
All seven albums – Meet The Beatles!; The Beatles’ Second Album; A Hard Day’s Night (Original Motion Picture Sound Track); Something New; The Beatles’ Story (2LP); Beatles ’65; and The Early Beatles – feature faithfully replicated artwork and new four-panel inserts with essays written by American Beatles historian and author Bruce Spizer. The albums’ new vinyl lacquers were cut by Kevin Reeves at Nashville’s East Iris Studios. The box set collects the seven albums, and all except The Beatles Story are also available individually.
The Beatles: 1964 U.S. Albums In Mono
The Beatles: 1964 U.S. Albums In Mono (8LP 180g vinyl box set)
ORDER : H E R E .
[all albums except The Beatles’ Story also available individually]
Meet The Beatles!
[Capitol Records: released January 20, 1964; 11 weeks at No. 1]
[Capitol Records: released April 10, 1964; five weeks at No. 1]
A Hard Day’s Night (Original Motion Picture Sound Track)
[United Artists: released June 26, 1964; 14 weeks at No. 1]
Something New
[Capitol Records: released July 20, 1964; nine weeks at No. 2]
The Beatles’ Story [2LP]
[Capitol Records: released November 23, 1964; peaked at No. 7]
Beatles ’65
[Capitol Records: released December 15, 1964; nine weeks at No. 1]
The Early Beatles
[Capitol Records: released March 22, 1965; peaked at No. 43]
Mastering Notes
These albums were cut for vinyl from the original master tapes using a completely analog signal path and with constant reference to first generation pressings of the original albums. They were made using a Studer A80 master recorder with analog preview & program paths, and an Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tapes.
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