"Long, Long, Long" is a song by George Harrison that was released on The Beatles' 1968 album, The Beatles (also known as the White Album).
It was written during the Beatles' stay in Rishikesh, India, in early 1968, and is one of the first songs in which George expressed his personal spiritual journey.
The song is a slow, meditative ballad, with Harrison's acoustic guitar playing a prominent role. The lyrics are simple and direct, with Harrison singing about his search for truth and his longing for a higher plane of existence. The song has been interpreted as both a love song and a paean to God, and it is often seen as a reflection of Harrison's growing interest in Indian spirituality.
"Long, Long, Long" has been praised by critics for its beauty and simplicity. Richie Unterberger of AllMusic called it "one of the most underrated songs in the Beatles' long discography," and noted that it is "a relatively quiet and calm song, especially when compared to its predecessor on the album 'Helter Skelter.'"
The song has been covered by a number of artists, including Eric Clapton, Jeff Beck, and John Cale. It was also featured in the 1994 film Pulp Fiction.
"Long, Long, Long" is a personal and spiritual song that continues to resonate with listeners today. It is a testament to Harrison's songwriting talent and his growing interest in Indian spirituality.
Although this tender ballad from the back half of The White Album could be interpreted as a traditional love song, Harrison made it clear in his autobiography I Me Mine that he was talking to his higher power.
When talking about the tune, George recalled having to clean up some of the specific references to God in the lyrics, explaining, “If you say the word ‘God’ or ‘Lord’, it makes some people’s hair curl! They feel threatened when you talk about something that isn’t ‘Be-Bop-A-Lula.’ If you say something that is not just trivia then their only way out is to say, ‘You’re lecturing us or you’re preaching’”.
The only major sonic moment in the song comes towards the end, when a wine bottle sitting on top of the organ starts to rattle the speakers. Not wanting to rerun the whole song, the ending gives an almost spooky demeanour to the track, ending the song almost on a metaphorical question mark.
The Beatles’ entire career has been built on the belief that love was all one needed, but George knew that the answer was to love God before anyone else.
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