One week before its release, the 50th anniversary edition box set of
the Beatles “Sgt. Pepper” ranks at number on amazon. It’s been there
more or less every day for the last month. The box costs $117.99.
Capitol Records doesn’t release pre-order figures, but at this rate the
box could be the number 1 album the week it goes on sale.
Is it worth it? I’ve been listening to it for a couple of weeks now
and the answer is “absolutely yes.” And listen, I’m old. I have the
original LP. the picture LP, replacement LP, the original CD, the
updated CD, the CD from the 2009 box set and the CD from the 2009 mono
set. And still the production on these discs is so lovely and superior,
I’ve put all those aside.
First of all the box itself, physically, is beautifully designed. In
addition to the discs (four audio, two video) there’s a substantial book
that tells the story of “Sgt, Pepper.” You also get the original
posters. And the discs come in a replica of the original album.
The book is quite substantial, by the way. There’s so much
information about the making of the album– including recording logs and
replicas of the original lyrics– you don’t need to buy any other books.
But it’s the music that has kept me listening. Paul’s bass on
“Lucy in the Sky,” his piano on “A Day in the Life,” Lennon’s overall
contribution to keep the album rocking and not ever cloying (which could
have happened), Ringo’s brilliant drums, and George, George, George.
Plus, George Martin’s prowess as the Fab Four’s guide here reaches
nirvana.
Recently, I’ve been focused on “A Day in the Life.” It’s a
masterpiece, of course. You do know the BBC banned it from airplay in
1967 because of “Drug references”? The letter to EMI from the BBC is
included in the book. I’ve been listening the mono mix, but there is the ‘new’ stereo mix and the outtakes. You listen to this and wonder how,
50 years later, we’ve traveled backwards from here musically. It’s very
sad. “A Day in the Life” rises to some level we only give to Bach,
Beethoven, and Mozart. Extraordinary.
Two other important features of the box set– the addition of “Penny
Lane” and “Strawberry Fields Forever.” Originally recorded for the
album, they became a standalone double A sided single. Once they were
hits, the Beatles decided to leave them off “Sgt. Pepper”– which had no
singles of its own. Now they come at the end of the mono CD, with work
versions included on the “extras” CDs. It’s hard to say where they’d fit
in the actual sequence at this point– somewhere before the “Sgt.
Pepper” reprise, I suppose.
As I say often in this space, these songs are each stories– every one
of them is a story, and that’s why they’ve lasted and grown in
importance. They’re short stories, and we know the characters’ names–
from Billy Shears to grandchildren Vera, Chuck and Dave, Lovely Rita the
meter maid, the girl who’s leaving home, Mr. Kite and so on. If Bob
Dylan could get a Nobel prize, how can the Beatles be excluded for this
landmark creation? “Sgt. Pepper’s Lonely Hearts Club” is the very
definition of literature.
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