Linda McCartney and Mary McCartney
Mother Daughter
November 20 - December 19, 2015
976 Madison Avenue
New York, NY 10075
T. newyork@gagosian.com
Hours: Tue–Sat 10-6
New York, NY 10075
T. newyork@gagosian.com
Hours: Tue–Sat 10-6
My mother shaped my view of the
world and inspired me to embrace spontaneity and capture the unforced.
To show with her is such an honor for me and validates my journey as a
photographer.
—Mary McCartney
—Mary McCartney
Gagosian New York is pleased to announce the special exhibition “Linda McCartney and Mary McCartney: Mother Daughter.”
Exhibited together for the first time,
the photographs of the late Linda McCartney and her daughter Mary
explore the connective tissue of family, common experience, and a love
of the photographic medium. Their images are highly instinctual, rather
than analytical; as well they reveal a great ability to capture fleeting
moments of intimacy.
Spanning three decades, works by the
photographers are organized to reveal the almost symbiotic harmony
between them. The exhibition is a treasury of moments derived from
relaxed interactions with family, a dazzling array of celebrities—Aretha
Franklin, Jimi Hendrix, Mick Jagger, Brian Jones, Kate Moss,
Rihanna—and everyday life. Evident is a shared sensibility between
mother and daughter in how they establish an emotional rapport with
their subjects and exact a sense of their true selves. Rather than
distinguishing between works by Linda or Mary, the installation proposes
their vision of the world as one.
Since the mid-sixties Linda photographed
such icons as B.B. King, The Rolling Stones, and The Grateful Dead,
producing quintessential images that reflected the music revolution of
her era. Her direct and distinctive photographs reflect the individual
charisma of her subjects. In 1969, one year after being the first female
photographer to do a cover for Rolling Stone Magazine, Linda
married Beatles member Paul McCartney. Alongside photography, her
interests ranged from writing and music to filmmaking and animal-rights
activism; she continued to document landscape, portraits, family, and
animals throughout her life.
Mary expands on her mother’s affinities.
Like Linda, her candid eye bonds with and draws out people’s inner
vibrance, transmitting it to the photographic image. Her “natural”
images focus intently on her subjects, from her intimate study of
professional ballerinas at the Royal Ballet to candid moments behind the
scenes of fashion shows, and strangers on city streets. As well as
shooting the 2013 Art Calendar for renowned lens manufacturer Zeiss,
Mary has captured portraits of major figures in culture and society,
such as Lou Reed, Eric Clapton, Vivienne Westwood, Helen Mirren and
Queen Elizabeth II. Her recent photographs of strangers stand alongside
her Instagram campaign #someone, evincing mystique in the ordinary and
everyday.
Linda McCartney (1941–1998)
was born in Scarsdale, New York and studied art history at the
University of Arizona. She died in Tucson, Arizona. Her work has been
exhibited in major public institutions including the National Portrait
Gallery and the Victoria & Albert Museum in London; National
Portrait Gallery, Washington, DC; and International Center of
Photography, New York. “Linda McCartney’s Sixties: Portrait of an Era,”
Bruce Museum, Greenwich, CT (1999) traveled to Worcester Art Museum, MA;
and Royal Photographic Society, Bath, in 2000; Lakeview Museum, IL in
2003; Mobile Museum of Art, AL in 2005; and the Lauren Rogers Museum of
Art, Laurel, MS, through 2007.
Mary McCartney was born in 1969 in London. Selected exhibitions include “Off Pointe” (an in-depth photographic study of the Royal Ballet after hours), Royal Opera House, London (2004); “British Style Observed,” National History Museum, London (2008); and “From Where I Stand,” National Portrait Gallery and Michael Hoppen Gallery, London (2010). The two-volume book Monochrome Colour was published by GOST in 2014, with a concurrent exhibition at 3 Grafton Street, London, curated by de Pury de Pury.
Mary McCartney was born in 1969 in London. Selected exhibitions include “Off Pointe” (an in-depth photographic study of the Royal Ballet after hours), Royal Opera House, London (2004); “British Style Observed,” National History Museum, London (2008); and “From Where I Stand,” National Portrait Gallery and Michael Hoppen Gallery, London (2010). The two-volume book Monochrome Colour was published by GOST in 2014, with a concurrent exhibition at 3 Grafton Street, London, curated by de Pury de Pury.
For further information please contact the gallery at newyork@gagosian.com or at . All images are subject to copyright. Gallery approval must be granted prior to reproduction.
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