Paul: “I love that journey,” he says. "The thing I
always do is give whoever I’m with the tour. I go along and I say ‘this
is where we played our first gig’ and ‘that’s where John’s mum lived’ or
‘that’s the old Garston gas works’. We always go down Forthlin Road and
I’ll see if there’s anyone outside. Last time there was a fella there
saying I didn’t really live there. I wound the window down and said
hello.
“Growing up in Speke I have so many memories of that area. All the old stories come out.
“I
remember John and I going up to the airport on our bikes to watch the
planes. It makes me smile to think that named the airport after him.”
What do you think he would have thought?
“I
think he would have been well chuffed. He wouldn’t have believed it
when we were kids on our bikes. In later life he would have been
chuffed.”
Is it strange to think how much has changed since those days with the two of you on your bikes?
“Yeah,
it’s been a weird old ride. On one hand you have to keep yourself
grounded by taking the micky out of yourself. But the minute you think
about it all it’s unbelievable.
“I’ve got so many vivid memories of being a kid in Liverpool on my bike or on the bus to school.
“Like everyone I suppose, I have millions of memories of those days. It’s as though the memories are sharper when you’re a kid.
“So
I think back to getting the bus with George, going to school. And then
the memories go beyond that to getting the bus to The Cavern or the
Grosvenor Ballroom.
“And then the memories go beyond that and
beyond that. And I have to remember that I was one of the guys that all
that was happening to.
“You have to pinch yourself and say ‘did that really happen?’. Did I really meet Elvis?”
What was Elvis like?
“Great.
A lovely man. That was before he went to Vegas with all the
rhinestones. He was so talented, so charismatic. A real star, you know.
Just like you’d hope he’d be.”
Talking of stars, you’ve been working with some big names recently - Kanye West, Rihanna, Lady Gaga. How did that come about?
“I’m really lucky because people ring up and they say they want to work with me.
“I
got a call saying Kanye wants to work with you. I said wow. And then I
said yes. Because I’m from Liverpool and that’s what we do.
“Name me one person from Liverpool who would have said no to working with Kanye!
“So
I went and it was completely different from how I usually work. We just
jammed and recorded everything that was going on. We did that for a
couple of days. He’s a good fun guy to be around. A bit eccentric, but I
like that.
“I had to wait for a couple of months before anything
happened. I sent him a couple of texts saying how I’d enjoyed working
with him, but I couldn’t really ask what was going on.
"Then out of the blue he sent me Only One and he told me how
he’d been inspired by Let It Be. I found it very moving, because Let It
Be was about my mother. After she had died she came to me in a dream.
the last words I remembered as I woke up were her telling me to let it
be.
“I told Kanye that, and having lost his own mother, the song came from there.
“Then
he sent me FourFiveSeconds with Rihanna’s vocals. I didn’t know what it
was but my daughter said ‘there, that’s your guitar part’. and it was,
played at a different speed. So basically I gave him a ball park and
then he went off and worked his magic.
“Before I knew it we were playing at the Grammy’s with him and Rihanna and I was nervous as hell.”
Do you get nervous?
“Yeah,
a little bit. Not as much as I used to, but it’s still there. Less so
when it’s ‘our crowd’ as we call it. If it’s our fans and they have come
to see our show I feel more like I’m with friends. But when it’s an
awards thing or a charity show you feel you have to win them over a bit
more. I’m lucky, when I go on in front of our fans they are into it
right from the start, but when it’s not our crowd I do feel a bit
nervous before I go on.”
Do you have a routine before you go onstage?
“It’s
kind of evolved over the years. We do our soundcheck in the afternoon. I
go to my dressing room and then an hour before we go on a guy knocks on
my door and I get ready. I do a steam thing with a bit of Olbas Oil in
hot water. It’s probably completely useless but it makes me feel like
I’m doing something to help my voice. Then I choose what to wear, get
dressed and go and see the band. We get together and sing a bit and then
we go to the side of the stage.
“We have a little ritual, a bit of a huddle and then we go on.
“I’m very lucky. I’ve been with the band and most of the crew for a long time. We’ve all been friends for years.
“This is our other family and it’s a great group of people. I have a lot of respect for them.
“I
think of it like Formula One. I may be the driver but I couldn’t get
anywhere without the team. They are the best band and crew on the
planet.”
How do you go about choosing a set list?
“I
start off thinking if I was in the audience what would I want to see
myself do?. You know, if you just came along, what would you hope he
does?
“Then we look at the songs we want to play as a band. Often
those co-incide. Then someone might ask for a certain song, a friend or
family member might suggest it and we try it. If it works we chuck it
in.
“I try to do a couple of songs most people might not know for
the ones that have seen us a few times. It’s all about the mix really. I
hope it’s a good mix.
“You’ve got to be aware that there will be
people who only see you once and they want to hear certain songs. Then
there are people that come again and again and you want to make it
different for them.”
So that’s how you end up with an average of almost 40 songs a night. How does you cope with such a gruelling tour regime?
“You
get knackered at the end of each night,” he laughs. “We have a rule
now, it’s a bit of a luxury really, but we’re lucky enough to be able to
do it. If I do one night I have one night off. If I do two in a row I
have two nights off. It just lets your voice recover. The fear is that
you push it for too many nights in a row and then you ruin the whole
tour.“But two in a row can be good. That’s probably my
favourite. So when I come to Liverpool I’ll be able to really give it
everything.”
“I start off thinking if I was in the
audience what would I want to see myself do?. You know, if you just came
along, what would you hope he does?
“Then we look at the songs
we want to play as a band. Often those co-incide. Then someone might ask
for a certain song, a friend or family member might suggest it and we
try it. If it works we chuck it in.
“I try to do a couple of songs most people might not know for the ones that have seen us a few times. It’s all about the mix really. I hope it’s a good mix.
“You’ve got to be aware that there will be people who only see you once and they want to hear certain songs. Then there are people that come again and again and you want to make it different for them.”
So that’s how you end up with an average of almost 40 songs a night. How does you cope with such a gruelling tour regime?
“You get knackered at the end of each night,” he laughs. “We have a rule now, it’s a bit of a luxury really, but we’re lucky enough to be able to do it. If I do one night I have one night off. If I do two in a row I have two nights off. It just lets your voice recover. The fear is that you push it for too many nights in a row and then you ruin the whole tour.“But two in a row can be good. That’s probably my favourite. So when I come to Liverpool I’ll be able to really give it everything.”
“I try to do a couple of songs most people might not know for the ones that have seen us a few times. It’s all about the mix really. I hope it’s a good mix.
“You’ve got to be aware that there will be people who only see you once and they want to hear certain songs. Then there are people that come again and again and you want to make it different for them.”
So that’s how you end up with an average of almost 40 songs a night. How does you cope with such a gruelling tour regime?
“You get knackered at the end of each night,” he laughs. “We have a rule now, it’s a bit of a luxury really, but we’re lucky enough to be able to do it. If I do one night I have one night off. If I do two in a row I have two nights off. It just lets your voice recover. The fear is that you push it for too many nights in a row and then you ruin the whole tour.“But two in a row can be good. That’s probably my favourite. So when I come to Liverpool I’ll be able to really give it everything.”
Paul plays the ECHO arena Liverpool on Thursday May 28.
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