The legendary Abbey Road Studios is opening its doors to the public this month, with a series of talks that take visitors behind the scenes to where the magic happens.
The world-famous recording studios this month it will open its doors for a series of
talks that reveal the magical musical mastery that has taken place there
over the years.
Filling music fans in on the secrets of
the studio is Brian Kehew – record producer, engineer, musician and
author of one of the most comprehensive books on The Beatles’ time at the studio.
“I still remember my first time
visiting,” he tells Scout London. “It was very significant for me, it
was like coming home to Mecca. It felt like you were entering a very
holy or special room. Many people feel that there is a vibe in there. I
don’t know whether it’s just Beatle fandom or people do actually feel
something in there.”
Alongside co-author and co-speaker
Kevin Ryan, Kehew spent a painstaking 15 years researching and writing
his book, Recording The Beatles, that documented in exact detail the
processes used by The Beatles – and many other huge artists such as Pink
Floyd, The Hollies, Adele and Oasis – to achieve such impressive
results at the north London studios.
“I think the impression people have is
that the artists who have come through Abbey Road have been the greatest
in their era, across many decades now, all the way back to 1930s,” says
Kehew. “They were the greatest of their time and it all reflects back
on the studio.”
That said, Kehew is quick to point out
that much of the studio’s fame harks back to the Fab Four: “I think The
Beatles thing is probably about 90 per cent of the recognition, as they
named an album after it and the famous photograph enhances it. But when
we wrote the book, for us it was not so much about The Beatles but about
the studio and the recording process. We became very involved with
people who were working at the studio at the time.”
The studio has also been used to record
film soundtracks for major movies such as Harry Potter and Star Wars.
And alongside its illustrious musical past, Kehew also discovered a few
secrets: “At one point there was a time when the largest room – which
was used for a classical orchestra, it’s probably the top orchestra room
in the world – wasn’t really used by anyone. So they’d put in a
badminton court to have games in there when it was empty.”
As well as listening to the talks,
visitors to the studio will get to see rare archive photos and film,
while also witnessing some of the vintage equipment in action. There’ll
be a film score sync demonstration, plus demonstrations of the studio’s
famous echo chamber and a vintage four-track mixing console and tape
machine.
“The Beatles are a fraction of what we
talk about, as we cover 81 years,” explains Kehew, “although they are
the main reason people come, so we give them a larger fraction than
anyone else. But all of it is important. There are people from the 30s
and 40s who were selling millions of records even back then.”
Kehew and Ryan will also be showing
photographs by photographer Henry Grossman, who they published a book
about earlier this year.
“Henry worked with the Beatles longer
than any other photographer and he simply put the photographs away
rather than publish them,” Brian explains. “We found he had over 6,000
Beatles images that were not only unseen, but are the best photos of The
Beatles I’ve ever seen. He’s an incredible artist. We’ll be showing
some images during the talks as there are some taken in the studio that
are just beautiful.”
Inside Abbey Road, March 8-17, £80.-
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