Thursday, 31 January 2019

THE 20th AND FINAL DAY OF THE GET BACK SESSIONS

On this day: 31 January 1969 
Get Back/Let It Be sessions: Day 20
Apple Studios, Savile Row, London
Producer: George Martin
Engineer: Glyn Johns







 


One day after their rooftop session, the Beatles reconvened to make a take of "Two of Us" for the cameras, and saw The Beatles perform the songs which had been judged unsuitable for the previous day's rooftop concert.








 



Primary among them were The Long And Winding Road, Let It Be and Two Of Us. The group completed "Let it be" song early on in the session,  various other songs were also performed during the day: a version of Lady Madonna featuring the lines "Lord and lady docker, in your private yacht/All the people wonder why you have such a lot", a version of Step Inside Love, also Paul sang on I Want You (She's So Heavy).

After a lunchtime break, The group did eventually record most of the takes of "The Long And Winding Road"; "Let It Be"  - recording a total of 22 takes.

 





The full list of songs recorded on this day:

    Two Of Us (seven takes)
    Hey Good Lookin' (Hank Williams)
    Take This Hammer (Lonnie Donegan)
    Lost John (Lonnie Donegan)
    Five Feet High And Rising (Johnny Cash)
    Bear Cat Mama (Jimmie Davis)
    Black Dog (Koerner, Ray & Glover)
    Right String, Wrong Yo-Yo (Carl Perkins)
    Run For Your Life
    Step Inside Love (two takes)
    Friendship (Cole Porter)
    Turkey In The Straw (trad)
    Tales Of Frankie Rabbit (Lennon-McCartney)
    'Deed I Do (Fred Rose/Walter Hirsch)
    I Got Stung (Elvis Presley)
    Let It Be (22 takes)
    The Long And Winding Road (19 takes)
    Lady Madonna
    I Want You (She's So Heavy)
    Build Me Up Buttercup (The Foundations)
    Party (Elvis Presley)
    Twelfth Street Rag (Euday L Bowman)
    Oh! Darling (two takes)


Wednesday, 30 January 2019

THE ROOFTOP CONCERT... 50 YEARS AGO TODAY!



The Beatles perform their legendary "rooftop concert" at Apple Studios, 3 Savile Row in London. 




The weeks preceding the “Rooftop Concert,” had been for the band full of both lethargy.
Thursday, Jan. 30, 1969, turned out to be the last time The Beatles performed together in public.





The group play for about 42 minutes, about half of which is included in the movie "Let It Be".


Billy Preston was an old friend of The Beatles.

On the rooftop, Billy made his biggest contribution to the song “Get Back,” with his electric piano solo.

The police arrive, after neighbors complain, and they bring the Beatles' final live performance to a close. 


The Beatles perform "Get Back" three times (twice to open the performance and a third time to close it).






An edit of the first two "Get Back" versions is seen in the movie, along with Paul McCartney and John Lennon's ad-libs at the end of the third:

Paul sings, "You've been playing on the roofs again, and you know your Momma doesn't like it, she's gonna have you arrested"; after the song's close, John quips, "I'd like to say 'thank you' on behalf of the group and ourselves and I hope we passed the audition!"





The Beatles also perform:

"Don't Let Me Down"
"I've Got a Feeling"
"The One After 909"
"Dig a Pony"
"I've Got a Feeling"
"Don't Let Me Down"


The "Let It Be" movie includes the following 'rooftop' songs: 

"Don't Let Me Down"
"I've Got a Feeling"
"The One After 909"
"Dig A Pony"
"Get Back"

The third take of "Get Back" is included on "The Beatles Anthology 3" (Disc two, Track 12).





Tuesday, 29 January 2019

RINGO HAS ADDED USA DATES TO HIS 2019 TOUR


Ringo Starr has added U.S. dates to his 2019 All Starr Band tour.




The 2019 edition of the band features: 
Steve Lukather, Colin Hay, Gregg Rolie, Warren Ham, Gregg Bissonette and Hamish Stuart.

The tour begins in March with one show at Harrah’s Resort Southern California (USA).



August 2019 marks the 30th anniversary of Ringo and His All Starr Band. Is a celebratory tour.The All Starr Band tours began in the summer of 1989 when Ringo went out with Joe Walsh,Dr. John, Jim Keltner, Nils Lofgren,  Billy Preston, Rick Danko, Levon Helm and Clarence Clemons.

The tour 2019 ending 1st September at the Greek Theater in Los Angeles, US,  nearly 30 years to the day when the inaugural All Starrs completed their first tour on September 3, 1989. 

Details for the 2019 event will be announced in the coming months.




Ringo and His All Starr Band Tour—2019 Dates 
(Tickets available here )


Mar 21 – Valley Center, CA – Harrah’s Southern California Resort
Mar 27 – Fukuoka, Japan – Sun Palace Hall
Mar 29 – Hiroshima, Japan – Uenogakuen
Apr 01 – Tokyo Electron Hall Miyagi Sendai Japan
Apr 02 – Koriyama, Japan – Shimin Center
Apr 03 – Tokyo, Japan – Hitomi Kinen Kodo
Apr 05 – Tokyo, Japan – Dome City Hall
Apr 09 – Nagoya, Japan – Zepp
Apr 10 – Osaka, Japan – Archaic Hall
Apr 11 – Osaka, Japan – Orix Theatre

Aug 01 – Windsor, ON – Caesar’s Windsor
Aug 03 – Highland Park, IL – Ravinia (with Beach Boys)
Aug 04 – Highland Park, IL – Ravinia (with Beach Boys)
Aug 06 – Durham, NC – Durham PAC
Aug 07 – Nashville, TN – Ryman Auditorium
Aug 08 – Nashville, TN – Ryman Auditorium
Aug 10 – Vienna, VA – Wolf Trap
Aug 11 – Vienna, VA – Wolf Trap
Aug 13 – Roanoke, VA – Berglund Center Coliseum
Aug 14 – Philadelphia, PA – The Met Philadelphia
Aug 20 – Champaign, IL – State Farm Center
Aug 22 – Prior Lake, MN – Mystic Lake Casino
Aug 23 – Council Bluffs, IA – Harrah’s Council Bluffs Casino
Aug 25 – Santa Fe, NM – Santa Fe Opera House
Aug 26 – Phoenix, AZ – Celebrity Theatre
Aug 28 – Oakland, CA – Paramount Theatre
Aug 30 – Lincoln, CA – Thunder Valley Casino Resort
Aug 31 – Paso Robles, CA – Vina Robles Amphitheatre
Sep 01 – Los Angeles, CA – Greek Theatre

Monday, 28 January 2019

THE BEATLES BOOK MONTHLY No.1

  • The Beatles Book (Monthly) No.1 - August 1963

  • Paperback: 24 pages 
  • Publisher: Beat Publications Ltd.; 1st Edition edition (1963)     



 



"The Beatles Monthly Book" was a publication from August 1963 to December 1969.  This issue was written, in July 1963.

A magazine dedicated to the Beatles, with articles and photos of the Beatles. 

This is issue Nº 1 ( August 1963) was originally available for the price of one shilling and sixpence.






The mag starts with a brief editorial by Johnny Dean, First George Harrison on lead guitar is introduced, John Lennon on rhythm guitar, Paul McCartney on bass, and finally Ringo on drums.










A two-page spread on Brian Epstein, followed by an article on George Martin.
The issue looks "Love Me Do" song. 






This issue was written in July 1963, the Beatles had achieved success in Britain.





Saturday, 26 January 2019

PAUL MCCARTNEY BOOTLEGZONE : WINGS OVER AMERICA / MADISON SQUARE GARDEN

Paul McCartney & Wings - 1976-05-24 - MSG, NY 

Paul McCartney & Wings
1976-05-24
Madison Square Garden
New York, NY
Audience Recording





CD 1:

01. Venus and Mars/ Rock Show
02. Jet
03. Let Me Roll It
04. Spirits of Ancient Egypt
05. Medicine Jar
06. Maybe I’m Amazed
07. Call Me Back Again
08. Lady Madonna
09. The Long And Winding Road
10. Live and Let Die
11. Picasso's Last Words
12. Richard Cory
13. Bluebird
14. I’ve Just Seen A Face
15. Blackbird
16. Yesterday



CD 2:

01. You Gave Me The Answer
02. Magneto and Titanium Man
03. My Love
04. Listen To What The Man Said
05. Let 'em In
06. Time To Hide
07. Silly Love Songs
08. Beware My Love
09. Letting Go
10. Band On The Run
11. Hi Hi Hi
12. Soily







Paul McCartney & Wings - 1976-05-24 , NY 



This one is a high quality audience recording at Madison Square Garden (24 May, 1976)




Friday, 25 January 2019

JOHN LENNON BOOTLEGZONE : S.I.R. JOHN WINSTON ONO LENNON REHEARSALS AT S.I.R. STUDIOS

John Lennon - 1972-08-22 - New York, NY

REHEARSALS
AUGUST 21 & 22

S.I.R. Studios
New York, NYC
Soundboard recording






SETLIST:

1. Roll Over Beethoven

2. Honey Don´t

3. Ain´t That A Shame

4. My Babe / Not Fade Away

5. Send Me Some Lovin´

6. Yoko Jam

7. Whole Lotta Shakin´ Goin´ On / It´ll Be Me

8. Honey Hush

9. Don´t Be Cruel / Hound Dog

10. Caribbean

11. Honky Tonk

12. Mind Train

13. Come Together

14. We´re All Water



On August 30, 1972, John Lennon ,Yoko Ono and his backing band Elephant’s Memory, headlined two charity concerts to benefit the Willowbrook Home, a facility for learning disabled children.
The event  at Madison Square Garden was billed as “One To One”.
Featuring: Stevie Wonder, Roberta Flack , Sha Na Na.




The shows were filmed, and recorded, released on the 1986 album "Live In New York City".

John Lennon perform a host of classics such as  "Come Togheter (The Beatles) "Hound Dog", "Not Fade Away".


Thursday, 24 January 2019

EXCLUSIVE INTERVIEW WITH PETE BEST

Pete is a very simple and kind guy, a very friendly and personable fellow,even though he is part of a great story. He was a former member of the best group in the music history. He has no resentments and no hard feelings towards his former colleagues. He answered all of my questions. He has no trouble in meeting Paul and Ringo, even though he knows this is not easy and it doesn´t depend only on him. He also talked directly about his point of view of his departure from the fab four, in a very final version. 
We talked about many things, and this gave me the opportunity to spend a great time with him and to get to know more about the beginning of the Beatles...



BEATLES MAGAZINE: Pete, you were once a Beatle, you will always be a part of the Beatles, you spent a lot of time together with John, Paul, George and Stu, a lot of time. You are a big part of the story and you are the one that knew them best at that time. Can you tell me what it´s your perception of each one of them in those early years?

Pete Best: I will start with John first, because we were friends in The Beatles. Close to John, ok, close to my heart (Pete puts his hand on his chest) I was as close in the very early days to observe John very well. He was the leader in the very beginning in Hamburg. We were simply friends and we had the chance to travel together and ended up talking about girlfriends and drinking together back in Liverpool. You know, let me tell you something about the another side of John Lennon, he just seemed at the same time a very tender guy and someone who was always watching everything around. And we just got together and it felt complete for me... and you know, how was John, a great musician, a leader and a friend.

Ok, next Paul McCartney ….Macca or Sir Paul, (Pete rises his arms cheerfully). Great musician from the very early days, very much into public relationships. Great performance skills and always longing to be the center of attraction. Ok, even on stage.  
We were fine, we used to drink and socialize, which meant getting to know girls in Hamburg and all the things we did in those early days. Paul was the guy which everyone knew back home in Liverpool. Hoping to do it in Hamburg,not too much... but, you know, we had got a contract, and you know...And he gets to be well known, and now he is one of the biggest entrepreneur of the music industry. I think he stood out from the very beginning in the early days and his music reached the top since the early years, through the seventies and until now.

About George, little George. There is a funny thing I remember from The Beatles, George was quite a guitar man. When he first entered the group in the very early years, he wanted to be the very best guitar man in the group and when all that stuff of songwriting credits of Lennon-McCartney started to develop, he wanted to be a songwriter too. He was a young man, at the perfect stage of his life to try to be perfect with the guitar, to be a good musician. Like I´ve said before, I think he wanted perfection. But he is no longer among us anymore. Anyway, we want to remember him as the best guitar musician.

Stu...everyone knew Stu was a brillant painter. But I defending Stu, he was really good playing bass guitar. Old rock and roll was simple in those days... bass and drums coordinated well in the band, and the band played great. And he also got a beautiful woman that we meet in Hamburg, Astrid Kircherr. This made us feel so jealous, because we all wanted something like it. 

 


 





















BM: Could you give me some details of the recording sessions at Decca? Did you agree with the song list? Did you wanted to play other songs, instead? Brian (Epstein) selected the songs...
Pete Best: Decca was the biggest record company in London, and Brian Epstein our manager, told us in december 31st, we had got an appointment for the first day in January. And selected the material we would use to impress Decca. So we concentrated on country westerns, on Carl Perkins,and he also told us not to get drunk... but we did get drunk, because it was new year´s eve in Trafalgar Square. We stayed there until 2:00am, and of course we got late for the appointment at Decca. Brian was angry because this was a big occasion for us. And we didn´t know that Mike Smith, the operator was late too because he had been celebrating too. We spend the day at the studio. We recorded 14 or 15 songs, we only did one or two takes of each in the audition. And at the end of it we felt very happy and MIke Smith said: "You have got the contract!". So we went out to celebrate... (Laughter...and Pete raises an imaginary bottle close to his mouth as if he is drinking from it wildly! ... more laughter...)... When you listen carefully to the bootleg Decca session tapes, you realize that even though we knew we were playing ok, we made some mistakes, bad voices...


BM: What memories do you have of the time in between 1960 to 1962?
Pete Best: Oh, I have a many memories... wonderful memories... it was a wonderful time back in the sixties. The shows at The Casbah, the trip to Hamburg, the recordings. Beautiful years, and so, and so, and so....ha ha ha (laughs). Too many favourite memories. It was a wonderful time.

 
BM: How was the experience of recording with Tony Sheridan?
Pete Best: Tony Sheridan was a great musician, I remember "My Bonnie" was a great song, great recording. For us it was a great experience, recording at the studio in Hamburg. the first album. We provided backing music for a great musician. The great Tony Sheridan was something very special for us. We had really a good time.





 






BM: All The Beatles change the hairstyle...and you?
Pete Best: I never refused, they never asked me.


 







BM: Pete, when you left the group, did this change your life...
Pete Best: Yes, it changed my life. I can say I learned not to be so innocent. I put what I learned into practice... I have nothing to forgive The Beatles for what happened long ago. Now I travel around the world and no one can kick me out of my own band. I don´t have fear of playing with Paul or Ringo, though I doubt such a session would ever happen.

 
BM: What is your final version of your departure?
Pete Best: I wish I knew!!... (kidding)... there maybe so many reasons. Initially it was said that I was not a good drummer, ok, that´s rubbish. Then the people in Liverpool who knew me for playing drums, realized this wasn´t true. Then other people started thinking about another reasons, and they thought maybe there was jealousy, I was too good looking, hairstyle, antisocial, you know, not so friend with the others. The people would make their own opinion of it. That was 50 years ago... there is only one person alive who knows this particular answer. And that person is Paul. Ok, so then I suggest you seek the chance to ask Paul directly this question. He might give us the definitive answer. As I´m concerned it´s something that happened many years ago. I don´t think about it anymore, you know. If Paul and I would get together again I don´t think we would talk about why I left the group back then. We are both grandparents now, that is something we could talk about now. I am not concerned about the people out there who is still trying to find out the real reasons why I left The Beatles, because I´m enjoying my life now, and that happened 50 years ago.

 
BM: Which is your favorite Beatles album?
Pete Best: Umm... I would have liked to play at all (laughter)... the White Album, yes the White Album. Because I think it is the most diverse of all... the most various of all their records.
 

BM: What was you reaction to John´s dead?
Pete Best: My reaction was exactly like it was for the rest of the world. We were in shock. I couldn´t believe Mark Chapman did it. When I first heard the news because of time differences, I didn´t believe it. Unfortunately this happened just at the same time when John was coming back to the music industry.

 
BM:What kind of music do you listen besides rock and roll?
Pete Best: Yeah, lots of music, Latin American, Jazz, Blues, Rhythm and Blues, Country, Bluegrass, and of course rock and roll... cause you know, Rock is what I do and we play this kind of music with my band.
BM: Yes Pete, of course!! (Laughter)


 


























BM: Thank you so much Pete, it´s been an honour to talk with you.

Pete Best: Thank you it´s a pleasure to be with you, I hope to see you again and great page.

BM: Thank you again Pete.


























  • Afterwards I talked with Roag, Pete´s brother and Neil Aspinal´s son - which gently wrote this words for Beatles Magazine:








 

























 



































Personal interview and Photos by BEATLES MAGAZINE. Thank you so much Pete and Roag.














Wednesday, 23 January 2019

EXCLUSIVE INTERVIEW WITH ROD DAVIS (THE QUARRYMEN)

Read my exclusive interview with ROD DAVIS (THE QUARRYMEN) with fantastic comments greatly treasured and appreciated.
Rod is a lovely person, hospitable and very humble, especially for a man who is part of the pre-Beatles history, and this made the interview a real pleasure. The Quarrymen continues...
Rod,... you rocks!!

 


 


BEATLES MAGAZINE: Can you tell us  something  about your family roots in Liverpool ?


ROD DAVIS: Well , I  was born in Liverpool. My mother was born in Liverpool , in Woolton . My father was born in Dublin , but he came over to Liverpool  with his family when he was about 3 or 4 years old . So part of me is ... has been in Liverpool for ...  my family has been in Liverpool for many years , but other bits only arrived about a  hundred years ago .


 


BM: How did you get interested in music and what do you consider your musical influences ?


ROD: Well , the biggest musical  influence on me and the rest of the Quarrymen was a man called Lonnie Donegan who in 1955 brought out a recording called " Rock island line " . And this inspired us and thousands of other young lads in Britain , England , Ireland , Scottland and Wales to start playing music . And when rocknroll came along there were  loads and loads of people who thought rocknroll was sexier than skiffle . But the advantage was that by this time they knew how to play the guitar , so that s why Lonnie Donegan and Skiffle is so very important .


 


BM: How did you become a member of the Quarrymen? Do you remember some details of that event ?

ROD: Well ... a few details , yes . As I said , I was inspired by Lonnie Donegan to start to play an instrument ... and he played guitar but he also played banjo and so in 1956 I asked my mother and father if I could have a guitar or a banjo and my uncle who lived in Wales had a friend who was selling a guitar and a banjo and by the time I contacted this man with the guitar and the banjo , the guitar had already been sold ... so we went to buy , I think it costed 5 pounds , that must have been on a sunday and the next day , on Monday , I went into school and  spoke to a friend of mine called Eric Griffiths and said : " yesterday a bought a banjo " and so  he said : " Would you like to be in our group ? " and I said : " Who else is in this group ? " , so he told me the other guys in the group : Pete Shotton , Bill Smith and John Lennon . So they all were friends of mine in the same year at school , so I said : " Yes , Ok , fine " . So thats how I became a Quarryman . They knew I couldnt play because I only bought the banjo the day before . 

























BM: Do you remember some school days with John ?

ROD: Yes , I knew John ... I first knew John when he was about 6 years old , because we were in the same class at Sunday school in Saint Peters Church in Woolton. So thats when I first met him and he was a young boy full of mischief . And he would lead other people into bad ways . We used to take a couple of pennies to put in the collection and he persuaded Pete Shotton to spend this collection on chewing gum , bubblegum . So John was a bad influence from the very early age . And then when I was 11 years old John , Pete , Eric Griffiths , myself , all found ourselves at Quarry Bank School . And we were in the same year and in the same part of the school but I was never in the same class as John . So I got to know him fairly well . And from 11 to 14 years old which is when I started to play for the Quarrymen  I knew John fairly well and again he was not a very good pupil . He would be what we called today  a disrupted pupil . He would fool around and made it very difficult for teachers to teach anything and often made it very difficult for the other boys to learn anything. In fact , Pete Shotton and Eric Griffiths both said John ruined their education .



BM: As you have mentioned before ,there were some shows prior to  the Rosebery  Street and the Saint Peters Church events . Of those previous shows , do you remember any special performance ?
 
ROD: Well , John is quoted as saying  Rosebery  Street was the Quarrymen s  first public  performance . I am afraid John s memory was not accurate . The Quarrymen started some time in 1956  , possibly in September 1956 and it might even have been earlier. So Rosebery Street was in fact probably the next to last time I played with the Quarrymen .There were lots of others before Rosebery Street  ,  I am afraid  John had been enjoying too many interesting  substances . It obviously affected his memory . The way we got on the Cavern was ....another friend of John s called Nigel Walley  -  he was the Quarrymen´s  manager   - started to work as a apprentice  ... professional ...at the  Golf  Club when he was 14 years old and one of the men who was a member of the Golf Club was Alan  Sytner who had started the Cavern and Nigel knew about this and  so he tried  to get us .... asked Alan Sytner   if he could book the Quarrymen at the Cavern and Alan said : " Well, I d like to hear you first". So he got us a booking at the Golf Club and our band uniform at that time was white shirts and black jeans and I bought an old pair of black jeans , a friend of mine  , because my parents wouldn t buy me black jeans. And just before we went on stage at LIPA Golf Club  the zip split on my jeans and I had to spend quite the whole set  behind my banjo , hidding my embarrassment .  I remember that one very well . And as a result of that we were invited to play  at the Cavern . We played there  , I think 5 or 4 times between January and July of 1957 . The first time the Quarrymen were mentioned in the adverts of the Cavern was the 7th of August 1957 . And that was because the advertisements were very , very small and they went on the front page of the paper and there were only about  3 or 4 lines and they only put the most important groups names in the advertisement . That s why people think we didn t play at the Cavern until August 1957 .


BM: Talking about the Cavern performances  , there was a moment when you argued with John about the playlist . Please tell us some details of that moment .


ROD: Well , the Cavern was a Jazz Club and the audience didn t like rock n roll and the management didn t like you playing rock n roll  . Skifflke was fine , because Skiffle had come out of New Orleans , our Jazz bands in England . So you could play Skiffle , that was fine , but if you played rock n roll the audience would get angry and the management would get angry so I was trying to persuade John that it wasn t a good idea to play a rock n roll number and he just went on and played rock n roll anyway . I can t remeber what it was . Maybe  " That s alright mamma "  .. I don t know ...   John , he didn t care , he just played his rock n roll anyway .





BM:  Let s talk about that famous  saturday July 6th 1957  when the Quarrymen performed at Saint Peter s Church in Woolton .  Did you rehearse a lot for that performance ? Were you all nervous ?


ROD: No ,we weren t particulary nervous . It was quite a big ocassion for us . I think it was the biggest ocassion  we played  .We may have been nervous ...  I don t remember to be honest, I have to say   ....


 

BM:Do you remember any special moment  from that performance ?


ROD: I remember that we went round the village .There was a procession  with about 5 or 6 trucks and we were  driving round the village . There was a boy scout s band , there was a military band , children in fancy dress  - they were boy scouts -  and  the  very last lorry was the Quarrymen    and as the procession went down the road where my house was ,  my father came out with his camera and took about a dozen of photographs of the entire parade , of the entire procession and I do remember going round the village in the procession and I remember  playing on stage , but I don t remember seeing Paul McCartney that day .

BM: How did you feel while performing there ?

ROD: Well , it was very ... it was exciting because we were in front of all our friends , you know , moms and dads , uncles , aunts , cousins and all of  , you know , young friends , boys and girls . So from that point of view it was quite exciting ,  because the intention  , the whole idea of us playing in a group was to be on stage , to be able to play in front of people and maybe impress a few  the young ladies. That was going through  our minds that afternoon



BM: Please tell us about the moment when John  first met Paul while he was introduced to the Quarrymen...


ROD: Well , I did not witness the moment when John was introduced to Paul,. I wasn t there.. I mean , I wasn t there when Paul was introduced to John and when he played the guitar for John . When we were playing on the stage behind the church  -  I am speaking about it later , many years later , Eric  Griffiths said he remember seeing  Paul in the audience .    Paul remember seeing the Quarrymen , because he was very impressed with John . After we played in the afternoon we took our instruments over the road to the hall where we were going to play that evening and I don t remember seeing Paul . If I d seen someone playing guitar left handed I think  I would  remember . So I think I went home for my evening meal . In Liverpool we don t call it dinner  , we call it tea . I went home for my tea , right .  I didn t see Paul that day .   Some years  ago I was in  America and we were doing a question and answer session at the Beatles convention and so for a joke I said : " I think I went to the bathroom at the most excited moment in musical history , when John met Paul  " , but it was only a joke .

An American friend has done a beautiful picture of John and Paul being introduced to each other . He said : " All the other guys in the band are in the picture , but I haven t put you in the picture . You can see your banjo is there ,  on the chair .  But I was there when you told everybody that  you were in the bathroom at the moment  John met Paul "  .So it s now part of the Quarrymen history , but it s completely untrue !
























BM: Did John afterwards make any comments of Paul to the other members of the Quarrymen ?


ROD:  So , as  far as I was concerned Paul did not exist ,   until a couple of weeks later  . The only time I remembered the Quarrymen practising at Mimi s house  , I arrived at Mimi s house and there was a boy  there whom I didn t recognize  .  And I said to John : " Oh , who is this ? " And he said : " This is Paul  .  He s come to listen to us practising "  , so that was the only time I met him   ,  and I don t even remember exchanging any words with Paul  . Our friends came and listen to us practicing , so this was quite a normal thing  . I imagine , in retrospect , that by that time Paul had been invited to join the Quarrymen  and may knew that at the of July  - it was the end of the 5th year of school  - John , Pete , Eric would all leave Quarry Bank School .  I was already staying on  to try to get University  , so they  knew  that I would be leaving the Quarrymen  . So they have already invited Paul to  take my place  -  not that it was a problem to me -  but that ,  I think  , is what most probably  happened  . That s why he was there at Mimi s house listening to the Quarrrymen practicing .


BM: Skiffle fashion left its place to Rock n roll in 1957 .  You left the Quarrymen before Paul became member of the band   . Why did you leave the group ?


ROD: Well , John , Pete Shotton  , Eric Griffiths and myself were all in the same year at  Quarry Bank . At the end of July  57  , if you wanted to leave school ,you could leave school . So Jonh decided to leave and go to arts school . Pete Shotton decided to leave and  become a police cadet .  Eric Griffiths decided to leave and become an engineering  apprentice . And I stayed at school . So I didn t  really leave the group . What happened was that the group left me . And again , they wanted to play more and more Rock n roll  . At that time I didn t like Rock n roll . Now I have changed my mind , now I enjoy  playing Rock n roll  . But I was a banjo player and you can t really play Rock n roll on a banjo , ok ?  For the same reason , Pete Shotton stopped playing the washboard , because it was  becoming  more and more Rock n roll and he was fed up of  playing the washboard .  So that way John lost the washboard player , lost the banjo player and gained another  guitar player who was very  good . So he was moving his group  ,  moving the Quarrymen into  being more of  a  Rock n roll  group   and less of a Skiffle group . So that s how it happened really . But they left me .  I don t remember leaving the Quarrymen .


BM: After leaving the band  , did you follow the Quarrymen career or even the Beatles career in Liverpool ?

ROD: As it happened , no  ... I think I was quite surprised, because they didn t play very much , maybe half of dozen  times at the  end  of 1957  and in 1958  they didn t play very much . And  I think I was quite surprised to hear that they continued to play ,  so I didn t follow their career .  I didn t  go down to the Cavern to listen to the music at the Cavern   . It was a Jazz club ,  I didn t go down .   So I didnt follow their career  . And the last time I saw John was  , I think , at Eastern 1962  when I was at home on holiday in Liverpool  . I was in the University in the south of England  , in  Cambridge which is 300 kilometers away and I was at home for Eastern .  I was walking   through  the town and I bumped to John and we started talking  . We haven t seen each other for quite a long time  . He said  : "  What kind of instruments are you playing now ? " .  So I explained I become very  into  folk music and american blue grass music . I was playing some mandoline , guitar and banjo and he said  :  " Oh , it s a pity you can t play the drums  .  Maybe you could have come to play drums with us in Hamburg  " .



BM: Why did you study Frech and Spanish in the 60s ?



ROD:  Well , I actually studied in the 50s really , because  , for some reason  , I think I had some kind of talent for learning languages and when I was a very small boy like 4 or 5 years old I used to  -  when I learnt to read  - I used to read everything . If it was a package on the breakfast table I would read all the words on the package , you understand ? And there was a bottle of  sauce  called   H P     . The writing in this bottle on one side  was in English and on the other side it was in French . And I read the English side and then turned the bottle over and tried to read the other side and I didn t know what French was, so I said to my father : " Dad , what are all these strange words ?  I can t understand them . " And he said : " They re in French " . I think that s when my interest in French started . So when we got to Quarry Bank school at age 11 , we had to learn French and I enjoyed French and then in the 4th year , that would be 1955 I think , I had the opportunity to learn Spanish as well , so I started learning Spanish and I enjoyed French and Spanish so much , I decided to continue studying  in  the  University . So that s  how it happened  really  . It wasn t a concious   decision  . I found French and Spanish easy and enjoyable . That s why I continue .
    
BM: Which is your favourite Quarrymen song and which your favourite Beatles song ? And why ?

ROD: Well , I think probably the favourite Quarrymen  song is got to be  " Rock island line "  , because that s what started everything , but not just for the Quarrymen . " Rock island line " started off all kinds of people in Britain :  Hank Marvin , Cliff Richard ,  Ringo ,  George , they all started playing skiffle music . Jimmy Page, Adam Faith - you can go on  , right ? -  dozen of them , they all started playing because of " Rock island line "  . We played " Rock island line " and I sing it with the Quarrymen . So I think that is my favourite Quarrymen song .

My favourite Beatles song ? I really like " Penny Lane " , because " Penny Lane" is a very important place in my youth , you know . And when we were at Quarry Bank school we used to jump over the wall at the bottom of the school field in the lunchtime . We would walk pass the fire station and then we would walk down to Penny Lane and we  buy chips and we sit in the  shelter in  the middle  of  the roundabouts and eat our chips   . We would nt get  our hairs cut . The hairdressers in Pauls song  . So that one for me  evokes  my younger days . That s why I like Penny Lane so much 

BM: Chas Newby has recently joined the Quarrymen . Please , tell us more about this


ROD: Well , the Quarrymen ...... When we started in 1997 - when we got back together - we had everybody that was on stage with John the day he first met Paul ....  in other words  , everybody that was on stage on the 6th of July 1957 . And however in 2000 Pete Shotton ,the washboard player , had a couple of problems with his heart . And he said : " Right , I m  not going to play with the Quarrymen anymore . I m retiring  " . So he retired. And in 2005 guitar player  Eric Griffiths suddenly died from cancer . So we asked piano player John Lowe who played on " In spite of all the danger " and  " That ll be the day "  if he  would  like  to play piano with us and so John has been playing piano with us most of the times , but not every time since 2005 . And then recently Len Garry - we all are getting old men ,... aroud 74 - ...Len s fingers has been getting a bit of trouble with the guitar , so we thought we would like to try to find somebody else to join the group , but it had to be someone who had some kind of history connected with the Quarrymen or the Beatles , yes ?  We met Chas - he d been in Liverpool at the Casbah a year or two ago  - ... I discovered that he was a very good bass player and also a guitar player . So early at this year I visited him and we played a few songs , we met , we get on very well with our Liverpool sense of humor , so we had to practise , rehearsal with him . He s got a very driving bass style , he is very good , he plays a left-handed Hofner bass , just like Paul McCartney . And he was able to drive the band and make .....  he s playing really solid rythm guitar . So that s why we have Chas now .
And in January our drummer Colin , myself and Chas played for Hunter Davies s 80 years birthday party in London, also Chas with the group- played the 27th of April, a new start for the Quarrymen plus Non -Beatle . 

BM: Can you tell us about the future plans for the Quarrymen ? More shows ? Maybe an album in the future ?


ROD: We made our first album in 1997 . Then we did another one in 2003- 2004 . So it s been my hope that we would be able to do a live album , because a lot of what the Quarrymen performance is about is the stories not just the music . And I have made several  attempts to get a decent recording which we could turn into a live album , but we haven t been completely successful so far  , which is perhaps fortunate ,  because if Chas now starts to play with us , Chas would be part of the new alive album in future . It s not a concrete plan , but it s certanly a plan which I had for a long time : to do a live album . That s what we would like to do  . With regard to shows , our next show is in June , we re  playing in Barcelona . Every year we do a gig for some Spanish friends called " Acordes por la Paz "  and  they do this in aid of " Medicos sin fronteras " , so we re playing a concert  for them in Barcelona at the  end of June , beginning of  July . We re also playing in Liverpool as a part of the Beatle week in a theater , I think  it s on the last saturday of Beatle week . After that , we don t know  . But I can open my computer tomorrow and there will be an email saying " Do you wanna play somewhere ? ", so ...  And we were talking about a gig in Russia this year  -  we ve played in Russia 3 times already -  we were talking about playing in Russia  , but that didn t  happen . We were also talking about playing in Sweden in July .That hasnt happen. We don t do many gigs , we don t do live acts  , 6 or 7 a year . This year may be  a little bit quite , but , I think , next year which is  2017  , 60 years  since John and Paul first met  I have the feeling next year is gonna be very busy . And then again , as I said , I can open my email tomorrow , and there could be an invitation to play anywhere in the world.


BM:  Thank you very much Rod, is a pleasure talk with you, thank you!

ROD: Thanks to you, all I can say really is :  Beatles music is fantastic , it has lasted so many years . So many people enjoy it . It gives so many millions of people pleasure . Listen to their music and keep playing music and enjoy . That s my message. And, we would say : "BEATLESMAGAZINE    da,da,da,da,da" you are continuing to help people to enjoy Beatles music and the Beatles humour and I think you are doing a great job . Keep going !!