Sunday, 31 January 2016

YOU GAVE ME THE ANSWER - Richard from the UK asks...

Fans may be familiar with Kisses On The Bottom, an album largely comprised of standards that Paul grew up listening to during his childhood. Paul remembers his dad playing the piano on New Years Eve and how he associated some of the classic songs his father played with "family and good times".

When Paul started writing songs of his own, he realised how well structured these standards were and learned a lot of important lessons listening to them when he was a child. Their early influences can be heard in some of his songs, particularly ‘My Valentine’ and ‘Only Our Hearts’.
 Over the years Paul’s songs have been covered by millions of people, but what does he think of these covers? Richard from the UK has been in touch to find out!

“I recently heard a great cover of ‘Lady Madonna’ by Fats Domino. What’s your favourite cover version of one of your songs?”

We caught up with Paul recently in his London office to find out:

“Thanks for your question, Richard. There’s an early version of ‘And I love Her’, it’s called ‘And I Love Him’ by Esther Phillips. I remember really liking that, and I like Ray Charles’ ‘Eleanor Rigby’. And I also like Marvin Gaye’s ‘Yesterday’.”

Are you familiar with the three covers Paul mentioned? You can listen to them below:




Saturday, 30 January 2016

ON THIS DAY: 30 JANUARY 1969: THE BEATLES’ ROOFTOP CONCERT


#‎OTD‬ 1969, Thursday. Rooftop, Apple Studios, London.
Recording Don't Let Me Down (amongst others).
"The Beatles had wild discussions of a Let It Be climax live performance anywhere from the QE2 to the Pyramids, but in the end they decided on what became their infamous final gig - a surprise performance on the roof of the Apple Records building at Savile Row." 
In a 42-minute set, the Beatles were heard playing nine takes of five songs before the Metropolitan Police Service asked them to reduce the volume. Footage from the performance was later used in the 1970 documentary film Let It Be.






 







 
Written by John as an expression of his love for Yoko Ono, Don´t Let Me Down is heartfelt and passionate. As John told Rolling Stone magazine in 1970, “When it gets down to it, when you’re drowning, you don’t say, ‘I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,’ you just scream.”
This is not the version of ‘Don’t Let Me Down’ heard on the single but the version from the Let It Be… Naked album – a composite of both versions that were performed on the roof of Apple in Savile Row:






 


During filming on the roof of Apple, two days after the recording of the track, the band played ‘Don’t Let Me Down’ right after doing two versions of 'Get Back’ and it led straight into 'I’ve Got A Feeling’. Michael Lindsay-Hogg was once again directing a Beatles’ shoot. He and Paul met regularly at the tail end of 1968, while Hogg was directing The Rolling Stones Rock and Roll Circus, to discuss the filming of The Beatles’ session in January. By the time that fateful Thursday came around, the penultimate day of January would be the last time The Beatles ever played together in front of any kind of audience.



Although the concert was unannounced, the Beatles had planned on performing live during their Get Back sessions earlier in January.It is uncertain who had the idea for a rooftop concert, but the suggestion was conceived just days before the actual event.The group Jefferson Airplane had performed at lunchtime on the roof of the Schuyler Hotel in Manhattan and had been filmed by Jean-Luc Godard the month before; it is unknown whether or not the Beatles were aware of this. George brought in Preston as an additional musician, in the hope that a talented outside observer would encourage the band to be tight and focused. Ringo remembered:

"There was a plan to play live somewhere. We were wondering where we could go—'Oh, the Palladium or the Sahara.' But we would have had to take all the stuff, so we decided, 'Let's get up on the roof'".
The audio was recorded onto two eight-track recorders in the basement of Apple by engineer Alan Parsons,and film director Michael Lindsay-Hogg brought in a camera crew to capture several angles of the performance—including reactions from people on the street.
When the Beatles first started playing, there was some confusion from spectators watching five stories below, many of whom were on their lunch break. As the news of the event spread, crowds of onlookers began to congregate in the streets and on the roofs of local buildings. While most responded positively to the concert, the Metropolitan Police Service grew concerned about noise and traffic issues.Apple employees initially refused to let police inside, ultimately reconsidering when threatened with arrest.
As police ascended to the roof, the Beatles realised that the concert would eventually be shut down, but continued to play for several more minutes.Paul improvised the lyrics of his song "Get Back" to reflect the situation, "You've been playing on the roofs again, and you know your Momma doesn't like it, she's gonna have you arrested!" The concert came to an end with the conclusion of "Get Back", with John saying, "I'd like to say thank you on behalf of the group and ourselves and I hope we've passed the audition."

Set list

The rooftop concert consisted of nine takes of five songs, including:
  • "Get Back" (three takes)
  • "Don't Let Me Down" (two takes)
  • "I've Got a Feeling" (two takes)
  • "One After 909" (one take)
  • "Dig a Pony" (one take)


The Beatles Rooftop Concert 1969 London (HD) from lordcris on Vimeo.




 
The Beatles 1 Video Collection is Available on AMAZON:
HERE THE LINKS TO ORDER:
·1 DELUXE CD/2 BLU-RAY HERE
·1 DELUXE CD/2 DVD HERE
·1 CD/BLU-RAY HERE
·1 CD/DVD HERE
·1 BLU-RAY HERE
·1 DVD HERE
·1 CD HERE


 

Friday, 29 January 2016

RECOVERED FILMS TELL STORY OF BEATLES' 1964 VISIT TO U.S.

This historic, photographic chronicle of the Beatles’ 1964 visit to the United States, captured by Eppridge, is the latest exhibition at university’s art gallery. The show opened Jan. 19 and continues through Saturday, March 13, at the university’s Visual and Performing Arts Center.

“Bill Eppridge — The Beatles: Six Days That Changed the World, February 1964,” features a collection of 55 black-and-white photographs taken by Eppridge during the British rock group’s visit to New York and Washington from Feb. 7-12, 1964.

Eppridge, who lived in New Milford in his later years, died in October 2013 in Danbury after a 60-year career as a photojournalist. He is widely recognized for capturing iconic images of contemporary history including the Beatles’ Feb. 9, 1964, appearance on “The Ed Sullivan Show” and the poignant image on June 6, 1968, of a busboy kneeling beside the mortally wounded Sen. Robert F. Kennedy in a Los Angeles hotel kitchen moments after his assassination. “You are not just a photojournalist,” he said, in recalling the Kennedy image. “You’re a historian.”

For exhibit curator Melissa Ralston-Jones, bringing Eppridge’s work to the university was a way to connect the gallery with students and the local community.
“Our mission here at the gallery is to bring in contemporary works and have students work alongside the artists and learn about their work,” she said. “Bill may not be with us any longer, but having (his wife) Adrienne Aurichio knowing so much about it gave us an opportunity to talk about Bill and his life’s work. It’s just incredible. She’s really lovely, and a wealth of knowledge and information.”

The WCSU exhibition of selections from his 1964 Beatles tour photo shoot, consuming more than 90 rolls of film and 3,000 photographs, would have been impossible without the mysterious recovery of these images seven years after they went missing and the painstaking work of Eppridge’s editor and wife, Aurichio, to review and organize this vast photo archive into a comprehensive record of the Beatles’ tour as it unfolded.
The exhibit carries universal appeal, Ralston-Jones added.
“We always try to bring in one exhibit a year that will have a mass appeal, and bring in a new audience,” she said. “We thought this would be well received.”

The Art Gallery is located at the arts center on the WCSU Westside campus, 43 Lake Ave. Extension in Danbury. The exhibition will be open for public viewing from noon to 4 p.m. Monday through Thursday and from 1 to 4 p.m. Saturday and Sunday. Admission is free. 

AUDIO OF THE DAY: RINGO / WHEN YOU WISH UPON THE STAR

When You Wish Upon a Star
Ringo Starr and Herb Alpert,
Stay Awake

Here is the closing track to the 1988 compilation album STAY AWAKE, featuring vocals by RINGO, and featuring a wonderful trumpet solo from the legendary HERB ALPERT.
Ringo and Herb Alpert made a good recording of When You Wish Upon a Star, listen ...










      

        

WATCH SPOON's BRITT DANIEL "I ME MINE" AT GEORGE FEST

In September 2014, a star-studded lineup assembled at L.A.'s Fonda Theater for George Fest, paying tribute to George Harrison. On February 26, a recording of the show will be released as George Fest: A Night To Celebrate The Music Of George Harrison, a concert film and accompanying album on Hot/Vagrant. Among the performers was Spoon's Britt Daniel, who covered Harrison's track with the Beatles, "I Me Mine." 

Other performers at George Fest included Brian Wilson, the Flaming Lips, the Strokes' Nick Valensi, Heart's Ann Wilson, Brandon Flowers, "Weird Al" Yankovic, Perry Farrell, and Norah Jones.

Recorded and filmed on September 28th, 2014 at the The Fonda Theater in Los Angeles, a host of today's best musicians pay tribute to their favorite George Harrison songs. 












To be released on February 26th, 2016, this wonderful live tribute will be available in 5 configurations including 2xCD/DVD, 2xCD/Blu-Ray, 3xLP (180 gram), digital, ... HERE .




Track Listing:
• Introduction
• Old Brown Shoe - Conan O’Brien
• I Me Mine - Britt Daniel (from Spoon)
• Ballad of Sir Frankie Crisp (Let It Roll) - Jonathan Bates feat. Dhani Harrison
• Something - Norah Jones
• Got My Mind Set On You - Brandon Flowers (from The Killers)
• If Not For You - Heartless Bastards
• Be Here Now - Ian Astbury (from The Cult)
• Wah-Wah - Nick Valensi (from The Strokes)
• If I Needed Someone Jamestown Revival
• Art of Dying - Black Rebel Motorcycle Club
• Savoy Truffle - Dhani Harrison
• For You Blue - Chase Cohl featuring Brian Bell (From Weezer)
• Beware of Darkness - Ann Wilson (from Heart)
• Let It Down - Dhani Harrison
• Give Me Love (Give Me Peace On Earth) - Ben Harper
• Here Comes The Sun - Perry Farrell (from Jane's Addiction)
• What Is Life - “Weird Al” Yankovic
• Behind That Locked Door - Norah Jones
• My Sweet Lord - Brian Wilson (from The Beach Boys)
• Isn’t It A Pity - The Black Ryder
• Any Road - Butch Walker
• I’d Have You Anytime - Karen Elson
• Taxman - Cold War Kids
• It’s All Too Much - The Flaming Lips
• Handle With Care - Brandon Flowers, Britt Daniel, Dhani Harrison, Jonathan Bates, Wayne Coyne, and “Weird Al” Yankovic
• All Things Must Pass - Ann Wilson, Dhani Harrison, Karen Elson and Norah Jones

Thursday, 28 January 2016

GEORGE MARTIN's AIR STUDIO IS A SYMBOL OF MONSERRAT's LOST ERA AS POP MUSIC HUB, AND IT’s NOW DECAYING

Staring at her reflection in the old recording booth window, Michelle Graham recalled a seemingly long-lost era. “It is very, very sad,” Graham, 48, said, pausing to look around the damp, moldy studio. “I just wish you all had seen it back the way it was before.”


George Martin at AIR studios in Montserrat.


When it was opened by George Martin in 1979, AIR (Associated Independent Recording) studio was a state-of-the-art recording facility which just happened to be in Montserrat, a tiny British Overseas Territory in the eastern Caribbean. Stars including Paul McCartney, Elton John, Boy George, Stevie Wonder and Sting passed through this studio to record some of the biggest hits of a generation.
Seventy-six albums were made here before the studio shut its doors in 1989, when the island was devastated by a hurricane. Six years later, Montserrat took another hit when the Soufrière Hills volcano began erupting, ultimately destroying the island’s capital, Plymouth, in 1997.

Nowadays the wasp-infested building which once housed AIR is a mere shell of its former self. But for many Montserratians, it remains a symbol for what their nation used to be.
Graham was only 15 when she first sang backup here – for James Taylor – but she went on to record with many more stars. “When they came around, they obviously asked for island singers,” Graham recalled. “I don’t even remember all the people I sang backup for.”
Jimmy Buffett’s Volcano was recorded in Montserrat, inspired by the island’s then quiet mountain. Elton John recorded three albums. Paul McCartney recorded Tug of War, including the hit single Ebony and Ivory with Stevie Wonder. Other artists who recorded here included the Rolling Stones, the Police, Rush, Black Sabbath, and Duran Duran.
“I didn’t realize how important these people were until I was older,” said 35-year-old Montserratian Veta Wade, whose parents sent her to the United Kingdom when the volcano began erupting. “I mean, I went to primary school with Eric Clapton’s daughter.”

AIR studios, today.
“You saw them all the time,” said David Lea, who moved to Montserrat from Florida in 1980, and still lives there. “I remember seeing Sting learn to windsurf, and nobody gave a hoot.”
The biggest names in 1980s music are just footnotes in Montserrat’s collective memory. Remembering a local restaurant, Graham recalled it first as the place “that had the best chicken on this side of the island.” Only then did she mention it was also the place where Sting and Dire Strait’s Mark Knopfler first came up with Money for Nothing.
Following the island’s devastating volcano eruptions, some of the musicians who had come to love Montserrat – Paul McCartney, Arrow (the Montserratian behind the hit Hot, Hot, Hot), Phil Collins, and others – held a benefit concert for their beloved island.
Talk of turning AIR studio into a museum never materialized, and the studio and posh house with views of the Caribbean is slowly decaying. The pool is filling with algae-stained water, vines are taking over the walls, and its roof and floors are caving in.
While it draws the occasional music enthusiast who wants to stand in the place behind some of the 80s’ biggest hits, AIR studio is slowly slipping away. It is dying the same way it lived: tucked away, out of the public’s eye.
“I think it was deliberate,” Graham said. “They wanted a place of total, absolute privacy. It was not made public.”

COUNCIL UNVEILS PLAN TO REFURBISH "SIGNIFICANT" NUMBER OF HOMES IN LIVERPOOL- WICH INCLUDES THE HOME OF RINGO

New plans to refurbish “a significant” number of homes in Liverpool’s Welsh Streets – which includes the home of Ringo Starr – have been revealed by council chiefs.
The authority is set to enter into an exclusive six month deal with developer Place First to survey the homes and develop a masterplan for the area which was recently used to film gangster drama, Peaky Blinders.
The move follows a decision by former communities secretary Eric Pickles to block the council’s initial plans to demolish the historic homes.
Liverpool council and housing association Plus Dane had wanted to replace 271 homes in the Welsh Streets with 154 new houses, along with 37 refurbished terraced properties.
The council says it is now hoped a significant proportion of the 300 homes can be refurbished, with some knocked “three-in-to-two” to make them larger and appeal to families.
Mayor Joe Anderson said: “All we have ever done is try to do what the residents have told us and it’s important to remember 80% of them backed the original plans for this area. As a result of the prevarication over this scheme from different outside interest groups we have lost a £13 million Government grant.
He said the residents of the Welsh Streets “have been in limbo for years” and he wants the developer to now “crack on with the detailed survey as quickly as possible”.
Powis street, the Welsh streets in Toxteth. New plans to refurbish “a significant” number of homes have been revealed by council chiefs.
Mayor Anderson said: “We’ve demonstrated with the regeneration of Anfield and our Homes for a Pound scheme that we are leading the way in finding imaginative ways of retaining properties where it is viable to do so.”
Now the council’s cabinet is being asked to approve plans to enter a six-month exclusivity agreement with Place First, during which time they will carry out surveys and investigations before developing a new masterplan and submitting a planning application.
If successful Place First would ultimately take over the site “under an agreement that would suitably protect the long term interests of the local community”.



However, the council says those houses in a really poor condition and too costly to repair will be demolished, with the possibility of creating community open space and new properties in their place.
Cllr Frank Hont, cabinet member for housing, said the council had taken some of the residents to Accrington to see some of the other projects that Place First are working on and added: “The feedback we had from them was really positive”.
Irene Milson, Chair of the Welsh Streets Community Association, said: “This community has been waiting a long time for new homes and it is extremely frustrating that the previous scheme wasn’t approved by the Government
“We await with interest the details of this new set of proposals and will make our decision based on progress over the next few months.”
The report will be considered by the city cabinet on Friday, February 4.

RINGO TO PLAY NASHVILLE CONCERT

Ringo has added more dates to his latest "All-Starr Band" tour, which includes a stop at the Ryman on June 19. Ringo Starr will return to Nashville's Ryman Auditorium this summer.
Ticket prices and on-sale dates have not been announced.


This will be Starr's first Nashville concert since July 7, 2012 -- which was also at the Ryman and happened to fall on his 72nd birthday. The show was filmed for a concert DVD, "Ringo at the Ryman."
"You know, it's hard for me to believe — Ringo at the Ryman!" he said on stage that night. "Far out. A man could only dream."
Ringo told The Tennessean in 2012 that Nashville was a city he "always loved," thinking back to his early days as a country music fan in the port city of Liverpool, England.
"A lot of people in the Merchant Navy there were bringing over the records from America. That's how we got most of them. And Liverpool itself, in England, is still the capital of country music."


Wednesday, 27 January 2016

RINGO´S LIVERPOOL HOME UP FOR SALE

Social landlord auctions off 10 Admiral Grove at Cavern Club

BEATLE fans looking for an extra special bit of memorabilia could find themselves getting into the grove after it was announced that Ringo's childhood Liverpool home is to go under the hammer.
Number 10 Admiral Grove, in the Dingle, where the teddy boy drummer lived until he was 21, is up for auction after its tenant of 37 years died last year.
Owner social landlord Plus Dane will be selling the two-up-two-down to the highest bidder at a special March auction at Liverpool's world famous Cavern Club.
It has a guide price of £55,000, but auctioneers Countrywide are hoping it might attract investors with an interest in the Fab Four.  
According Plus Dane, which says profits raised will be ploughed back into its housing stock in the area, the Victorian terrace was a regular haunt for the Beatles and Cilla Black in their younger days. If that wasn't enticement enough, it also points to The Empress pub, at the end of the street, which graced the cover of Ringo’s first solo album, Sentimental Journey, in 1970.
A number of restrictions have been placed on the sale of the house so it cannot become a tourist attraction or museum.


Admiral Grove is still a stopping off point for coachloads of day trippers, as is Ringo's nearby birthplace at Madryn Street, one of the controversial Welsh Streets saved from demolition after a long stand off between its owners, also Plus Dane, heritage campaigners and Liverpool City Council.

Margaret Gorse, the tenant who had lived at 10 Admiral Grove since 1978, was always happy to invite people in to have a look inside the house until her death last year, says the housing association.
Claire Griffiths, Plus Dane’s Executive Director of Property, said: “Plus Dane has considered all of the options in relation to this property following the sad death of Margaret who was a well-respected figure in the community. We felt it would be most beneficial to the community for the property to be sold as any profits made will be reinvested back into Plus Dane homes in the L8 area.” 


Sentimental alehouse: The Empress pub at the end of the road
 
 
Plus Dane owns 12 properties in Admiral Grove, with the rest being a combination of other social housing and private owners.
The auction will be held at the Cavern Club on Thursday 24th March.
Tony Webber, auction surveyor at Countrywide Property Auctions, said: “We are delighted and excited that Plus Dane Housing has chosen Countrywide to auction this property, which is such a unique part of Liverpool’s history as well as that of The Beatles.  We have auctioned properties lived in by three other members of The Beatles – John Lennon, George Harrison and Paul McCartney, and we expect a high level of interest from potential buyers in the UK and internationally.  We would urge all interested parties to register their details as soon as possible to ensure they don’t miss out on this rare opportunity.”
For enquiries regarding the auction and to make any viewing arrangements, contact Entwistle Green Allerton office on 0151 734 2220.

NEW TRAILER FOR LAIKA AND FOCUS FEATURES‘ UPCOMING KUBO AND THE TWO STRINGS USES “WHILE MY GUITAR GENTLY WEEPS"

The new trailer for Laika and Focus Features‘ upcoming Kubo and the Two Strings uses The Beatles‘s “While My Guitar Gently Weeps” to set the mood for Kubo’s adventure. When the storyteller and son of a famous samurai accidentally summons a spirit to enforce an age-old vendetta, he must set out to save his family and solve the mystery of his fallen father.

Kubo & The Two Strings Trailer Utilizes A George´s Song To Get Its Point Across







































Featuring the voices of Charlize Theron, Ralph Fiennes, George Takei, Rooney Mara and McConaughey, the film will be released on August 19th, 2016.

Tuesday, 26 January 2016

AUDIO OF THE DAY: PAUL MCCARTNEY - BEAUTIFUL NIGHT (Alternate version,1986-87)

PAUL MCCARTNEY - BEAUTIFUL NIGHT (Alternate version, 1986-87) 

 

 "Beautiful Night" was officially released on his album "Flaming Pie" in 1997.The song was originally intended for a project in the '80s called "Return to Pepperland".The album was unreleased,with much of the material being redone for future releases(1989's "Flowers In The Dirt" LP)This is an early,alternate version of "Beautiful Night" recorded in 1986-1987.It was recorded years prior to the version on "Flaming Pie" which featured Ringo Starr, as this arrangement features some different lyrics.

 

 
       

       

 

 

NEW COURSE ABOUT THE BEATLES AT St.FRANCIS XAVIER UNIVERSITY IN ANTIGONISH

A music professor at a Nova Scotia university has turned the story of one of the most influential music groups of all time into a course. Kevin Brunkhorst, a music professor at St. Francis Xavier University in Antigonish, N.S., is teaching a new course about the life and times of The Beatles.



Sixty-six students have registered in the course that examines how the band was formed and its meteoric rise to become one of the biggest names and most influential groups in entertainment history.
“It's a story that nobody could have written, it's too unlikely and that alone makes it worth having a class about,” says Brunkhorst.
The class is held once a week and playing the Fab Four’s music, watching their videos and movies, and discussing the band’s influence on music and culture.
“If I get too deep into the details of the music, the chords and the melody lines and sharps and flats and things like that, I will lose all of the students in the class that don't have a musical background and I want this to be of general interest for everyone,” says Brunkhorst.

Last month, Beatles music was released to streaming services, making it even more accessible to young people today.
Student Rae Becke says she is taking the course because The Beatles are her favourite band.
“I don't know, something about it just sings to the little girl inside everybody that wants to have a guy sing like that to you,” says Becke. “Like something about their music sort of just touches you, always, and they just always look like they were having fun and the music kind of says that as well.”
Becke’s appreciation of The Beatles is the kind of enthusiasm Brunkhorst is trying to share.
“I love this stuff so much that I take it seriously and I want everybody to love it as much,” says Brunkhorst.
Due to the popularity of the course, Brunkhorst says he will be offering it again next year.

Monday, 25 January 2016

WOMAN's AUTOGRAPH BOOK SIGNED BY THE BEATLES SELLS FOR £1,800

A rare collection of hero signatures is something money can buy, thanks to a Sutton Coldfield woman who gave up her beloved collection of famous names, which sold at auction this week for £1,800.

The autographs of each member of The Beatles from when they performed in Coventry in the 1960s, plus football legends including Bobby Moore and Geoff Hurst, are contained within the precious autograph book which belonged to Jill Darby.








"It sounds very exciting but in fact it was a bit of a cheat because I had an aunt whose name was Marjorie Warden and she worked in the Coventry Hippodrome box office at the time and on this occasion she volunteered to get The Beatles' autographs for me, which is what she did," she explained.
The exciting discovery caused quite a stir at Richard Winterton Auctioneers in Lichfield where the star lot went under the hammer on Wednesday (January 20).

Director Richard Winterton said: "You see quite a few autograph books that come through and, a bit flippant really, flip, flip, flip, nothing, nothing, nothing – but this was a bit different. I started at the back and was taken away, and ran through to the rest of the team to say what we found."
Jill is hoping that the sale of the item will help fund her dream trip to the Galypgos Islands.

But with an autograph book boasting some of the biggest names in British sporting and music history, why did she want to part with it?
"I've come to the time of my life now where I think I ought to experience the world a little bit more," she said.
"I'll have the memories for the rest of my life."

PAUL SENDS A MESSAGE FOR BURNS NIGHT


Paul has been in touch to send his best wishes for Burns Night in Scotland. He said, "Wishing our Scottish buddies a tremendous Burns Night! Enjoy a wee dram on me!" Burns Night, held in honor of Scotland's most famous poet Robert Burns, is celebrated at the end of January every year. The tradition started a few years after the poet's death in 1796.
  

RINGO ANNOUNCES MORE ALL STARR BAND NORTH AMERICAN TOUR DATES FOR JUNE & JULY 2016


ALL STARR’S INCLUDE TODD RUNDGREN, GREGG ROLIE and STEVE LUKATHER,
RICHARD PAGE, WARREN HAM and GREGG BISSONETTE




Ringo Starr and His All Starr Band – featuring Todd Rundgren, Gregg Rolie, Steve Lukather, Richard Page, Warren Ham and Gregg Bissonette - announce another string of North American shows. The tour kicks off on June 3 in Syracuse, New York and ending with two dates in California, the first July 1 at Humphreys in San Diego and concluding the tour July 2 at The Greek in Los Angeles. This current All Starr line up is the 12th and longest running, and as Ringo recently told The Boston Globe, “I love this band – we have a lot of fun together on and offstage, so here we come again.”

That love is evident in their performances, exemplified by this review in the Sarasota Tribune-Herald: “This latest incarnation of Starr's travelling show has been together now going on three years and watching them interact as an actual band, rather than a supergroup taking turns out front, is almost as fun, almost, as watching and screaming “I love you” at the front man who will forever be part of the biggest rock 'n' roll band of all time.”

Here’s where you can catch Ringo Starr and His All-Starr Band on Tour, with more dates to be announced soon:
June 3 Lakeview Ampitheater, Syracuse, NY
June 4 Seneca Allegany Resort & Casino, Salamanca, NY
June 5 Capitol Theatre, Port Chester, NY
June 7 Bergen Performing Arts Center, Englewood, NJ
June 8 Cross Insurance Center, Bangor, ME
June 10 Bank of New Hampshire Pavilion, Gilford, NH
June 11 DCU Center, Worcester, MA
June 12 Santander Arena, Reading, PA
June 15 St. George Theatre, Staten Island, NY
June 17 Warner Theatre, Washington DC
June 18 Koka Booth Ampitheatre, Cary, NC
June 19 Ryman Auditorium, Nashville, TN
June 21 Foellinger Theatre, Fort Wayne, IN
June 22 PNC Pavilion, Cincinnati, OH
June 23 Fox Theatre, Detroit, MI
June 25 Pinewood Bowl Theater, Lincoln, NE
June 26 Hartman Arena, Wichita, KS
June 28 Paramount Theatre, Denver, CO
July 1 Humphreys Concerts, San Diego, CA
July 2 The Greek Theatre, Los Angeles, CA

Please check local listings for on-sale dates.
(Photo by Scott Robert Ritchie)





Q MAGAZINE - ISSUE FEBRUARY 2016 : JOHN LENNON AND ELTON JOHN: THE STORIES BEHIND MUSIC´S GREATEST MOMENTS



Q Magazine - Issue February 2016

John Lennon & Elton John : The Stories behind music´s greatest moments

When John made a surprise appearance at an Elton John show in New York over 40 years ago, nobody knew it would be the John´s last ever concert performance ...









A DAY IN THE LIFE OF THE BEATLES; 25 JANUARY

On this day: 25 January 

1961: Live: Hambleton Hall, Liverpool 




















Hambleton Hall for the night of January 25, 1961. This was the first time that The Beatles performed there

  
 
 
 
 
 
 
 
 
 
 
 
 
1963  Live: Co-operative Hall, Darwen.
Vee Jay gets US contract to release Beatles records.
5.00-5.29pm. BBC's 'Here We Go' broadcast (all 16 January 1963 session but 'Three Cool Cats').
 
 
 
 
 
 
 
 
 
 
1964
'With The Beatles' number 1, 8th week (UK Record Retailer chart).
'I Want To Hold Your Hand' number 3, 2nd week in the Top 100 (Billboard). 'She Loves You', 1st week in the Top 100 (Billboard).

Brian writes in the 'Fabulous' magazine, proud of the achievements of Liverpool pop groups.

Performance  Live: Olympia Theatre, Paris

 
1965: John and Cynthia Lennon holiday in the Swiss Alps
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
1967
Studio 1 (control room only). 6.30-8.30pm. Mono mixing: 'Penny Lane' (remixes 12-14, from take 9). Studio 1 (control room only). 9.00-10.00pm. Tape copying: 'Penny Lane' (of remix mono 14). Producer: George Martin; Engineer: Geoff Emerick; 2nd Engineer: Phil McDonald.
Remix, omitting some bits of piccolo trumpet at the end of 'Penny Lane'.
 
1968: The Beatles film their Yellow Submarine appearance
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
1969
'Yellow Submarine' LP, 2nd week in the Top 30 (Billboard). Apple Studios. Get Back/Let It Be sessions: day 14. Time unknown. Recording: 'Untitled Jamming'; 'On Our Way Home' (working title of 'Two Of Us'); 'Bye Bye Love'; 'George's Blues (Because You're Sweet And Lovely' (working title of 'For You Blue'); 'Let It Be'. Producer: George Martin?; Engineer: Glyn Johns; 2nd Engineer: Alan Parsons.
 
1980
Paul flies from Tokyo to Amsterdam.Paul is released from a Tokyo jail and deported from Japan
 
1991  Paul's performance for MTV. Recording: 'Unplugged'. 
 

 
2014: The Beatles win lifetime achievement award at the Grammys
 
 
 

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Sunday, 24 January 2016

"THE BEATLES: SIX DAYS THAT CHANGED THE WORLD" AT THE VISUAL & PERFORMING ARTS CENTER

Bill Eppridge was sent on a photo assignment for Life Magazine on Feb. 7, 1964. Based on how his editor described the job, Eppridge had no way of knowing it would be one of the most important days of his career.
"Dick Pollard at Life told him 'go the airport, JFK, there's a rock group arriving called The Beatles,'" said Adrienne Aurichio, wife of the late photojournalist. "[Pollard] was not too impressed by them. He said for him to just get pictures of them arriving."
Eppridge, however, was impressed, not just by the four musicians, but also by the mob of fans. They were everywhere: against barricades, on the roof, inside and outside the terminal, most of them young girls, holding banners, reaching out to touch the stars, shrieking for all they were worth.
"He told Dick 'this is kind of interesting, I'd like to stick with it for a few days,'" Aurichio said. "He was more interested in the reaction. He liked to see what people saw in them."
He tagged along on their U.S. journey for six days. That road trip was the basis for a 2014 book, "The Beatles: Six Days that Changed the World," with 148 pictures. That book has been condensed into a 55-item exhibit, which is on view now at Western Connecticut State University in Danbury.
Eppridge died in 2013 in Danbury, after living his last years in New Milford. Aurichio, who was married to him for 16 years, curated the exhibit.
On Feb. 7, 1964, Paul McCartney, John Lennon, George Harrison and Ringo Starr arrived at JFK and held a press conference, then went to the Plaza Hotel in New York City, where they monitored their publicity. On Feb. 8, a sick Harrison missed a Central Park photo op, then he joined the boys at a rehearsal at the Ed Sullivan theater. On Feb. 9, they rehearsed, performed on Sullivan's show and had dinner at the Playboy Club. On Feb. 10, a reception at the Plaza was attended by reporters and DJs. On Feb. 11, the Beatles took a train to Washington, D.C., met the press at the Coliseum, performed a concert and went to a party at the British Embassy. On Feb. 12, they took a train back to New York's Penn Station and performed at Carnegie Hall.
After that point the Beatles went to Florida to perform, and Eppridge handed the assignment over to another photographer. "He was the sort of person who, when he felt that he had the story, he didn't want to do it again," Aurichio said.
Eppridge's photos convey madness with a few moments of quiet. They show teenagers crazed to the point of criminality, a crush of cops, photographers and reporters, a swag merchant who misspelled the group's name, and the band's handlers: manager Brian Epstein, press agent Brian Sommerville and road manager Neil Aspinall. Aspinall got the ultimate fantasy bucket-list job: standing in for George at a rehearsal. In the center of it all are the unflappable foursome, who seemed to enjoy most hanging out with DJs.
"With the DJs, suddenly they look like little kids amongst their idols," Aurichio said. "[The DJs] were their heroes because they played their music."
Some of Eppridge's photos call to mind "A Hard Day's Night," the movie the Beatles made based on their own experiences. Besides The Beatles, other celebrities appear frequently in his photos, most prominently the "fifth Beatle," DJ Murray the K; the legendary documentarians the Maysles brothers; and photojournalist Eddie Adams, who five years later took the unforgettable photo of a Vietnamese man being executed.
Eppridge worked in Vietnam, too, and he covered Robert F. Kennedy's presidential run up until the day of Kennedy's assassination. He covered Woodstock and the 50th anniversary of the Russian Revolution. But the Beatles assignment always held a special place in his career and his heart. Aurichio compared Eppridge's experiences with those of photojournalists today.
"You can't do this now. We can't get close to rock stars. They all want to control everything," she said. "He had six whole days of watching the drama unfold."

"THE BEATLES: SIX DAYS THAT CHANGED THE WORLD" will be at the Visual and Performing Arts Center on the Westside campus of Western Connecticut State University, 43 Lake Ave. Extension in Danbury, until March 13. The opening reception is Feb. 6 from 4 to 7 p.m.