In 1971, a British folk singer named Steve Tilston gave an interview to ZigZag
— a small, underground-rock rag named for a Captain Beefheart jam and a
popular brand of rolling papers — in support of his debut LP, a
collection of earnest, fingerpicked guitar songs that recall Nick Drake
and Jackson C. Frank. When asked if he thought fame and fortune might
prove toxic to his songwriting, Mr. Tilston did not equivocate. “Yes,
yes, of course it will,” he recalls saying. “My heart will suffer.”
John
—then 30 and about to release “Imagine”—read Mr. Tilston’s
interview, was stirred by his conviction and scribbled him a letter
saying money didn’t change anything. Or not really. “So whadya think of
that,” it ends.
Mr.
Tilston was never able to answer. The note was sent to him care of
ZigZag and lost for 34 years — perhaps nabbed at the time by an employee
of the magazine who recognized its potential value to collectors. Mr.
Tilston didn’t find out the correspondence even existed until 2005, when
a man approached him to authenticate it, and Mr. Tilston slowly
realized what had transpired. “I emailed him and said, ‘Look, you can
have the letter, but I’d really like to know what it means, what it
says,’ ” Mr. Tilston said. He described Lennon’s tone (only slightly
wistfully) as “very brotherly.”
Now
Mr. Tilston is mostly sanguine about its ramifications. “I’ve managed
to earn my living as a musician for 40-odd years, and it’s been feast
and famine,” he said. “But really, I’ve lived a charmed life. I wouldn’t
change it at all.”
Mr. Tilston’s story is the loose inspiration for “Danny Collins,”
a film opening March 20 written and directed by Dan Fogelman (whose
screenplay credits include “Cars,” “Tangled” and “Crazy, Stupid, Love”)
and starring Al Pacino as an over-tanned song-and-dance man — an amiable
mix, Mr. Pacino said, of Barry Manilow and Rod Stewart, the kind of
cheerfully aging superstar who plays sold-out theaters packed with
swaying gray-haired fans.
After
reading his story online, Mr. Fogelman reimagined Mr. Tilston’s tale as
more cautionary: a songwriter so disillusioned by celebrity that he
loses himself to it entirely. Decades later, when finally confronted
with the letter (lost for 40 years, in the conceit of the film, not 34
as in real life), a jolting reminder of who he used to be, Danny Collins
realizes he could have made different choices. “He had a certain look
at the time, and a certain charm, and he could go there,” Mr. Pacino
said. “He started putting them over, and his life went in that
direction.” “When
he gets the letter on his birthday, 40 years later, his life has run
into a wall,” Mr. Pacino continued. “Countless years of dope and drugs
and women and wives he can’t even remember. But this is why he’s
receptive to it.”
That’s
the particular optimism of “Danny Collins,” which insists that we all
contain untold transformations, that any day could become an opportunity
for reinvention. When Collins finally sees the letter — it’s a gift
from his manager, played by Christopher Plummer — there is some
serendipity in the timing. “He’s at a tipping point,” Mr. Fogelman said.
“It’s almost perfect that he receives the letter when he does, although
it’s gut-wrenching at first.”
Mr.
Tilston, for his part, remains stoic, wryly amused by the entire
episode. “The idea of celebrity turns me right off,” he said. “I just
like to do what I do.”
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The Oscar winner also recalled once bumping into John Lennon in New York near Central Park.
"I ran into John Lennon but it wasn't a run in, we were like ships in the night, we passed each other but he looked at me and smiled and I smiled back and we both waved. It was a moment that I'll never forget," he said.
The film opens in the United Kingdom on May 29.
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