Revolver, released in August of 1966, is seen by many today as the Beatles’ big-bang moment.
Over the course of 14 tracks, they consolidated everything they’d
mastered even while hinting at most of the experiments still to come
from principal songwriters John, Paul and George.
Not that they necessarily sensed this breakthrough moment, as the
Beatles gathered at Abbey Road Studios with George Martin earlier that
spring.
“That’s kind of difficult to say,”Paul tells KGVO.
“I mean, we knew we were having great success with the Beatles. Me and
John were starting to really cook on our writing. So, we knew we were
getting better and better from the first single, like ‘Love Me Do.’ You
know, we knew we were now writing better songs. We knew we were playing
better.”
Paul sings and plays piano at the Missoula |
Powered along by a double-sided No. 1 in “Eleanor Rigby/Yellow Submarine,” Revolver
would top both the UK and American album charts, staying at Billboard’s
No. 1 for six weeks. If the project had little in common with the
Beatles’ most recent release, 1965′s more folk-leaning Rubber Soul, that was also in keeping with their growing sense of confidence in their own muses.
“You could sense that development in the records, and in the live
playing,” McCartney adds. “So, we kind of knew we were on to something.
We knew were getting better. And if you think about it, that’s the great
thing about the Beatles. We never stayed in one place. First album was
like that, second album was completely different. So, by the time you
got to Rubber Soul, we were starting to cook, baby.”
Paul’s on-going North American tour continues later this week. “Eleanor Rigby” is, of course, a staple of these shows.
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