Wednesday, 8 August 2012

THE DREAM IS OVER, by Dan Richter


I remember the day I was at Harrods, ordering white carpet for John and Yoko. It was to be specially made from natural unbleached wool on extra large looms in China. Another day, on a trip to town, I found white marble Empire mantelpieces.
One of my favourite finds was a Queen Anne Chinoiserie desk for John. In their bathroom, they wanted a gigantic circular tub. We considered willow-pattern antique toilets, but settled on modern.
John wanted a bed like a turntable for Tittenhurst, their Berkshire mansion, so we ordered a circular one. An army of people was established to accomplish all these and 1,000 other tasks.
Ever present: Yoko looks on as Dan takes Lennon's portrait in 1969. He started out as Yoko's assistant and ended up as John's butler
Ever present: Yoko looks on as Dan takes Lennon's portrait in 1969. He started out as Yoko's assistant and ended up as John's butler
And then there was me – Yoko Ono’s ‘American friend’ who came along for the ride: her personal assistant, confidant – and dope buddy.
As I once told an old friend: ‘In the end, I was just John’s butler.’
I lived with Yoko and Lennon for four years; an insider witnessing  their love affair and the break-up of The Beatles. I can still see the vivid  cast that surrounded them: the stars, charlatans, groupies, politicians,  sycophants, lawyers and hippies.
It was a time of absolute freedom, a time when everything changed. The world was turning on, tuning in and dropping out, and all to the beat of rock ’n’ roll.
‘It’s Allen Ginsberg and he’s f****** naked.’ I didn’t know John Lennon then, but the Liverpool accent was unmistakable. The date was June 3, 1965 and we were celebrating the 39th birthday of our friend Allen, the Beat poet.

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